https://repositorio.ufpb.br/jspui/handle/123456789/11048 2026-04-13T03:21:28Z 2026-04-13T03:21:28Z Almeida, Dayana da Silva https://repositorio.ufpb.br/jspui/handle/123456789/37868 2026-03-19T06:04:39Z 2025-10-03T00:00:00Z

Título: O gênero da pólis :o lugar da mulher nos discursos parlamentares Autor(es): Almeida, Dayana da Silva Orientador: Pontes, Thiago Panica Abstract: This research, entitled "The Gender of the Polis: the place of women in parliamentary speeches" aims to examine how parliamentary speeches can reveal elements of male domination, based on shorthand notes from the pre- and post-coup period of then-President Dilma Rousseff. To this end, Critical Discourse Analysis (CDA) is adopted as the method, as proposed by Norman Fairclough, articulated with the theoretical perspectives of Pierre Bourdieu and Heleieth Saffioti. This approach allows us to examine the elements present in parliamentary representations and inform the development of analytical frameworks. Considering that some of these representations reach up to 90 pages, systematization into frameworks is necessary to condense the material. Through this organization, it was possible to identify discourses structured around biological, religious, and moral justifications, which operate as vectors for perpetuating female underrepresentation in politics, reaching a level within the political arena that hinders the presence of these women and outside the arena, discouraging their entry into political activity. Editor: Universidade Federal da Paraíba Tipo: TCC

2025-10-03T00:00:00Z Souza, Akim de Paula https://repositorio.ufpb.br/jspui/handle/123456789/37734 2026-02-26T06:07:07Z 2025-09-26T00:00:00Z

Título: “Memórias de infâncias posithivas : a cronicidade do HIV por transmissão vertical” Autor(es): Souza, Akim de Paula Orientador: Gutiérrez, Mónica Lourdes Franch Abstract: This monograph investigates the experiences of people living with HIV/Aids since birth, drawing from childhood memories to shed light on the so-called posit(hiv)e childhoods and their historically invisible trajectories. It contextualizes the epidemic by differentiating the pre-ART period — marked by moral panic, stigma, and the association of Aids with the “gay plague” — from the post-ART period, when antiretroviral therapy transformed the disease into a chronic condition, even though stigma persists. With a qualitative approach grounded in the Social Sciences, particularly Anthropology, the research employs semi-structured “comprehensive” interviews with three adults living with HIV through vertical transmission — Lego, Lina, and Lírio — whose narratives reveal that HIV has shaped everyday life since childhood, generating coping strategies and negotiations that resonate into adulthood, so that chronicity does not present itself as a biographical rupture but rather as a constitutive part of the “always lived.” The interviews address diagnostic disclosure, school experiences, mourning, orphanhood, secrecy, and the ongoing impact of stigma, connecting these memories to audiovisual productions such as Um Lugar para Annie, A Cura, and Aquela Criança com AiD$ — the latter starring Lírio Nascimento, who proposes a counter-hegemonic narrative and reimagines futures for these children. The study demonstrates that understanding HIV requires going beyond the biomedical dimension, taking into account its social, affective, and symbolic implications. By recovering these “subterranean memories,” this research contributes to the Anthropology of Health and to the fight against “social viruses,” reaffirming the need for public policies that not only ensure access to treatment but also promote dignity, care, and the right to the full experience of posit(hiv)e childhoods, adolescences, and youths. Editor: Universidade Federal da Paraíba Tipo: TCC

2025-09-26T00:00:00Z Sousa, Matheus Ramos Araújo de https://repositorio.ufpb.br/jspui/handle/123456789/37733 2026-02-26T06:05:41Z 2025-08-19T00:00:00Z

Título: " A cruz que cravou na minha aldeia : a presença do pentecostalismo dentro da aldeia Potiguara Grupiúna dos Cândidos” Autor(es): Sousa, Matheus Ramos Araújo de Orientador: Gonçalves, Alícia Ferreira Abstract: La presente etnografía resulta de la experiencia de campo realizada en la Aldea Grupiúna dos Cândidos, ubicada en la Tierra Indígena Jacaré de São Domingos, en el Territorio Indígena Potiguara, litoral norte de Paraíba (Brasil). La aldea, considerada por sus propios habitantes como la más aislada de la región, llamó la atención por la presencia destacada de una Iglesia Evangélica Pentecostal construida en albañilería, en contraste con las casas de barro que componen el paisaje local. Compuesta por 26 familias, todas convertidas al pentecostalismo, la comunidad despertó el interés de esta investigación en torno a la presencia y expansión de las iglesias evangélicas en territorios indígenas. El campo de investigación se centra en dicha aldea, donde fui acogido por las familias y pude realizar visitas recurrentes. La investigación adopta como metodología el uso de diario de campo, entrevistas, fotoetnografía, cartografía social, recursos audiovisuales, revisión bibliográfica y, sobre todo, la escucha sensible y el aprendizaje junto a la comunidad. La discusión se inscribe en el contexto del crecimiento de las iglesias de orientación pentecostal y neopentecostal en tierras indígenas, fenómeno que ocurre paralelamente a los procesos de recuperación de los signos diacríticos por parte de los pueblos indígenas del Nordeste. En este sentido, se busca comprender cómo la ancestralidad y la cosmología potiguara dialogan con el pentecostalismo, investigando los significados atribuidos a la presencia evangélica en el territorio. Como cuestión central, la investigación se enfoca en la posibilidad de coexistencia entre la identidad indígena y la religiosidad pentecostal, proponiendo la siguiente reflexión: ¿es posible ser indígena y creyente? Editor: Universidade Federal da Paraíba Tipo: TCC

2025-08-19T00:00:00Z Oliveira, Joery Pereira de https://repositorio.ufpb.br/jspui/handle/123456789/37710 2026-02-24T06:07:47Z 2025-02-17T00:00:00Z

Título: Do imaginado ao real : imagem e representação do sertão no cinema nacional contemporâneo Autor(es): Oliveira, Joery Pereira de Orientador: Aguiar, Jórissa Danilla Nascimento Abstract: This paper analyzes how representations of the Northeastern Sertão influence the way people view the region, exploring the construction of this image over time. The research examines the impacts of the region's social and political transformations on cinematographic narratives, investigating how these changes shaped the representation of the Sertão in national cinema, discussing their implications for the cultural identity and public perception of the Sertão. Based on a qualitative analysis, we investigate films such as O Auto da Compadecida (2000), Cine Holliúdy (2012) and Bacurau (2019), in addition to the influence of the Cinema Novo movement and the so-called "aesthetics of hunger" in contemporary cinema. We also address the imagery of the sertão, historically marked by aridity, poverty and violence, contrasting this simplistic view with the social, cultural and political complexity of the region. As specific objectives, we seek to describe the representations of the sertão used in film productions, also to understand the relationship between the representations of the sertão and reality based on discussions about development and inequality, and to problematize the reproduction of stereotypes in the representations in the nominated films. We conclude that cinema is a crucial tool for shaping social perceptions, and that new narratives are needed that value the diversity and cultural richness of the sertão, far from the market biases that often reduce the complexity of the region to stereotypes. Editor: Universidade Federal da Paraíba Tipo: TCC

2025-02-17T00:00:00Z