DSpace Coleção:https://repositorio.ufpb.br/jspui/handle/123456789/110532026-10-23T22:53:37Z2026-10-23T22:53:37ZManguetour : aplicativo para mediação dos pontos turísticos do Recife antigoMedeiros, Leticia Maria Alves dehttps://repositorio.ufpb.br/jspui/handle/123456789/396232026-10-23T06:10:07Z2026-08-06T00:00:00ZTítulo: Manguetour : aplicativo para mediação dos pontos turísticos do Recife antigo
Autor(es): Medeiros, Leticia Maria Alves de
Orientador: Morais, Cleber Matos de
Abstract: The present work aims to develop the "MangueTour" prototype, a mobile
application designed to mediate access to the tourist attractions of Recife Antigo.
Based on the observation that information about the region's cultural attractions is
scattered across different platforms, a unified digital catalog is proposed, integrating
tourist exploration and gamification, offering the user collectible stamps for each
visited location and a personalized postcard as a final reward. The research is
theoretically grounded in the concepts of digital cultural tourism, gamification, and
interface design. Methodologically, the development process followed three phases:
field research for mapping the tourist attractions, the construction of the design
system (color palette, typography, logo, icons, and stamps), and the elaboration of
high-fidelity mockups. As a result, 13 screens were designed, composing the
application's complete navigation flow, from login to the final postcard achievement.
Thus, the application seeks to promote the appreciation and democratization of
access to Recife's culture, also offering a replicable model for other digital cultural
tourism contexts.
Editor: Universidade Federal da Paraíba
Tipo: TCC2026-08-06T00:00:00ZIdentidade visual em movimento : motion design aplicado na criação de vinheta do streaming AruandaPlayFernandes, Eliel Victor Albuquerquehttps://repositorio.ufpb.br/jspui/handle/123456789/396222026-10-23T06:10:03Z2026-08-03T00:00:00ZTítulo: Identidade visual em movimento : motion design aplicado na criação de vinheta do streaming AruandaPlay
Autor(es): Fernandes, Eliel Victor Albuquerque
Orientador: Nascimento, Maurício Augusto Pimentel Liesen
Abstract: This work aims to create a new animated intro for the Paraíba streaming platform
AruandaPlay using contemporary principles and techniques of motion graphics
design. A bibliographic and documentary survey was carried out on the production of
intros and the creative process within the scope of animation in motion graphics.
Practical development was structured into three phases: analytical, creative, and
executive. In the analytical phase, the visual elements of the platform's logo, the
original AruandaPlay intro, references from the streaming market, and the aesthetics
of the movie Aruanda (1960) were investigated to guide the project's creation
process. Moving to the creative phase, based on the references captured during the
previous phase, the concept of the new intro was developed, detailing its visual and
narrative content through the elaboration of style frames and storyboard. Finally, in
the executive phase, all technical and theoretical knowledge was applied in the
production of the final animation using Adobe Creative Cloud ecosystem software.
The conclusion highlights the delivery of an audiovisual product aligned with industry
standards, while valuing regional cultural identity and the essence of the brand,
pointing toward its future implementation on the platform and opening new horizons
for productions in the field.
Editor: Universidade Federal da Paraíba
Tipo: TCC2026-08-03T00:00:00ZDentro da toca do coelho : linguagem visual e criação de ilustrações para Alice no país das maravilhasSouza, Tarcísio Edson Castro dehttps://repositorio.ufpb.br/jspui/handle/123456789/396212026-10-23T06:10:09Z2026-08-10T00:00:00ZTítulo: Dentro da toca do coelho : linguagem visual e criação de ilustrações para Alice no país das maravilhas
Autor(es): Souza, Tarcísio Edson Castro de
Orientador: Pessoa, Alberto Ricardo
Abstract: In this article, I analyze my development as an illustrator, understanding illustration
as a visual language that integrates technique, research, repertoire, academic
experience, and creative choices. I argue that the education of an illustrator extends
beyond technical drawing skills, encompassing the understanding of the concepts,
principles, functions, and procedures that are specific to illustration. As the practical
axis of this study, I present the documentation of the creative process behind a series
of illustrations produced for Alice's Adventures in Wonderland, by Lewis Carroll,
conceived as part of a portfolio aimed at children's book publishers and as a basis for
the development of illustrated products. Drawing on process criticism, particularly the
studies of Cecília Almeida Salles, I examine sketches, references, graphic decisions,
changes in direction, and formal choices that shaped the creation of the illustrations.
Thus, this article argues that illustration should be understood not merely as a
finished image, but as the outcome of a formative, investigative, and creative
process.
Editor: Universidade Federal da Paraíba
Tipo: TCC2026-08-10T00:00:00ZMunturo : da margem à pista, como imagens, design e fotografia constroem identidades culturais em um coletivo independente.Lopes, David Ramon Messiashttps://repositorio.ufpb.br/jspui/handle/123456789/393632026-10-01T06:10:25Z2026-08-14T00:00:00ZTítulo: Munturo : da margem à pista, como imagens, design e fotografia constroem identidades culturais em um coletivo independente.
Autor(es): Lopes, David Ramon Messias
Orientador: Ferreira, Sérgio Rodrigo da Silva
Abstract: This paper examines how Munturo, an artistic and cultural collective from João
Pessoa, Brazil, builds LGBTQIAPN+ and peripheral identities through its visual
communication on Instagram. Drawing on Stuart Hall, Gillian Rose, Rick Poynor,
Boris Kossoy, and other authors, the research analyzes six posters and six
photographs produced between 2022 and 2026, across the compositional, social,
and semiotic dimensions of each piece. The findings show that Munturo builds
identity through displacement rather than repetition: each piece anchors belonging
around a different axis, class, sexual identity, or territory. The posters project this
identity before each edition; the photographs, by Bruno Sanches, testify afterward to
who occupied that space, forming memory for an audience that recognizes itself in
the collective's feed.
Editor: Universidade Federal da Paraíba
Tipo: TCC2026-08-14T00:00:00Z