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  <title>DSpace Coleção:</title>
  <link rel="alternate" href="https://repositorio.ufpb.br/jspui/handle/123456789/1119" />
  <subtitle />
  <id>https://repositorio.ufpb.br/jspui/handle/123456789/1119</id>
  <updated>2026-04-13T03:40:07Z</updated>
  <dc:date>2026-04-13T03:40:07Z</dc:date>
  <entry>
    <title>Afunde no chão: a objetificação do corpo negro. Análise crítica do filme Corra!</title>
    <link rel="alternate" href="https://repositorio.ufpb.br/jspui/handle/123456789/35735" />
    <author>
      <name>Silva, Monique Fernanda de Souza</name>
    </author>
    <id>https://repositorio.ufpb.br/jspui/handle/123456789/35735</id>
    <updated>2025-09-13T06:13:19Z</updated>
    <published>2025-02-25T00:00:00Z</published>
    <summary type="text">Título: Afunde no chão: a objetificação do corpo negro. Análise crítica do filme Corra!
Autor(es): Silva, Monique Fernanda de Souza
Orientador: Tella, Marco Aurélio Paz
Abstract: This project aims to analyze the objectification of the Black body through a critical examination of the film Get Out (2017), using this cinematic work as a basis for reflecting on contemporary racial issues. The research focuses on three main aspects: the stereotyping of Black men, the critique of the myth of biological superiority, and the commodification of Black bodies, practices that echo the legacy of slavery. Although the analysis primarily addresses the United States, where the film is set, the study also draws parallels with the Brazilian reality, highlighting how the legacy of slavery and structural racism manifest similarly in both societies. In addition to film analysis, the research adopted a collaborative approach, exemplified by the organization of a film debate at UFPB – Campus IV, promoted by the extension project “Listening, Reflecting, and Acting: The Society of Vale do Mamanguape and Racial Relations.” The event aimed to connect the themes explored in Get Out to the undergraduate thesis research, expanding the critical analysis of the film. Following the screening, a discussion circle allowed participants to share different perspectives, enriching the debate and unveiling new layers of interpretation regarding stereotyping and objectification of the Black body, as well as the structural racism portrayed in the film. By examining how Get Out exposes and critiques the persistence of racism within seemingly harmless social structures, this study underscores cinema as a powerful tool for understanding and critiquing oppressive systems. Thus, the research contributes to the ongoing discussion on Black representation in audiovisual media, emphasizing the potential of cinema as a means of awareness and resistance against racial inequalities.
Editor: Universidade Federal da Paraíba
Tipo: TCC</summary>
    <dc:date>2025-02-25T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>A correnteza das memórias: a construção da memória pós companhia de tecidos Rio Tinto</title>
    <link rel="alternate" href="https://repositorio.ufpb.br/jspui/handle/123456789/35679" />
    <author>
      <name>Silva, Maria Carolina Araujo Santos da</name>
    </author>
    <id>https://repositorio.ufpb.br/jspui/handle/123456789/35679</id>
    <updated>2025-09-10T06:10:31Z</updated>
    <published>2025-10-28T00:00:00Z</published>
    <summary type="text">Título: A correnteza das memórias: a construção da memória pós companhia de tecidos Rio Tinto
Autor(es): Silva, Maria Carolina Araujo Santos da
Orientador: Silva, Ruth Henrique da
Abstract: This study examines the construction of social memory in Rio Tinto, a town located on the North Coast of Paraíba, whose history is intricately linked to the Companhia de Tecidos Rio Tinto, established in 1924 by the sons of Herman Theodor Lundgren. This textile factory, which specialized in cotton production and became the largest complex of its kind in South America, underwent gradual deactivation between the 1960s and 1980s. The ethnographic research investigates how the town's residents, living on part of the Potiguara indigenous territory, navigate the memory of this industrial past and their perceptions of its decline. Additionally, the study addresses issues of heritage and territory, exploring how the remnants of the former factory have been repurposed into new spaces, such as Campus IV of the Federal University of Paraíba, or have persisted as ruins integrated into the local landscape. By examining the contexts and social markers that shape these memories, the research uncovers frequently silenced narratives that provide meaningful insights into Brazil's recent history and its impact on the lives and experiences of Rio Tinto's inhabitants.
Editor: Universidade Federal da Paraíba
Tipo: TCC</summary>
    <dc:date>2025-10-28T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Dançando com a diversidade: um estudo etnográfico sobre dissidências de gênero e sexualidades na quadrilha junina encanto matuto de Itapororoca – PB</title>
    <link rel="alternate" href="https://repositorio.ufpb.br/jspui/handle/123456789/35656" />
    <author>
      <name>Melo, Gabriel Lucas Ferreira de</name>
    </author>
    <id>https://repositorio.ufpb.br/jspui/handle/123456789/35656</id>
    <updated>2025-09-10T06:09:23Z</updated>
    <published>2024-10-30T00:00:00Z</published>
    <summary type="text">Título: Dançando com a diversidade: um estudo etnográfico sobre dissidências de gênero e sexualidades na quadrilha junina encanto matuto de Itapororoca – PB
Autor(es): Melo, Gabriel Lucas Ferreira de
Orientador: Oliveira, Luciana Maria Ribeiro de
Abstract: Based on the ethnography of a group that is part of the researcher’s experiences, this work aims to offer reflections on aspects of leisure, social interactions, and gender and sexual diversity within the Quadrilha Junina Encanto Matuto, based in Itapororoca, Paraíba. The goal is to transcend the perspective of cultural tradition by demonstrating that the quadrilha environment is more than just a cultural manifestation, evolving into a space that is both welcoming and challenging for young people with different gender expressions and sexual orientations. The study concludes that the sociability and environment of the quadrilha provide its members with a network of friendships and relationships. Despite facing adversity and societal prejudices, these individuals find joy and personal fulfillment through the art of junina dance. This research highlights not only the importance of diversity in the junina context but also the resilience of these young people in challenging stigmas and creating na inclusive, supportive, and empowering space for themselves and their peers.
Editor: Universidade Federal da Paraíba
Tipo: TCC</summary>
    <dc:date>2024-10-30T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"Essa é a minha cura!”: uma etnografia das experiências de vida de mulheres vivendo com HIV em Rio Tinto (Paraíba)</title>
    <link rel="alternate" href="https://repositorio.ufpb.br/jspui/handle/123456789/35654" />
    <author>
      <name>Moraes, Gabriel Cavalcante Bueno de</name>
    </author>
    <id>https://repositorio.ufpb.br/jspui/handle/123456789/35654</id>
    <updated>2025-09-10T06:09:21Z</updated>
    <published>2024-10-31T00:00:00Z</published>
    <summary type="text">Título: "Essa é a minha cura!”: uma etnografia das experiências de vida de mulheres vivendo com HIV em Rio Tinto (Paraíba)
Autor(es): Moraes, Gabriel Cavalcante Bueno de
Orientador: Silva, Luziana Marques da Fonseca
Abstract: In this monography, I propose to analyze the life experiences of three women living&#xD;
with HIV in Rio Tinto, a municipality located on the northern coast of Paraíba,&#xD;
considering the relationships within the dynamics of subject-health-territory. The&#xD;
ethnographic data underpinning this work are based on an ethnographic study conducted&#xD;
between 2020 and 2023, with a central focus on a primary health care unit located in a&#xD;
neighborhood geographically distant from Rio Tinto. The aim was to understand the&#xD;
prerogatives and applications of the policy of decentralizing HIV/AIDS care in the&#xD;
municipality, especially in the unit in question. The three women (Melissa, Marjorie,&#xD;
and Aurora) reside in this neighborhood – identified by professionals of the municipal&#xD;
primary care network as a vulnerable area – and must travel to the state capital, João&#xD;
Pessoa, about 75 kilometers away from Rio Tinto, to maintain their antiretroviral&#xD;
therapy. The anthropological approach was constructed to bring their experiences of&#xD;
living with HIV closer to the relationships between territory, health services, and the&#xD;
broader individual and collective dynamics. The results indicate that, in light of the&#xD;
challenges to accessing care and the implications of territorial dynamics, different&#xD;
strategies have been employed throughout their lives to navigate stigma and manage its&#xD;
effects.
Editor: Universidade Federal da Paraíba
Tipo: TCC</summary>
    <dc:date>2024-10-31T00:00:00Z</dc:date>
  </entry>
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