DSpace Coleção:https://repositorio.ufpb.br/jspui/handle/123456789/175712026-05-04T18:24:25Z2026-05-04T18:24:25ZAcordes modernos em notas de tradição : as lutas de representações em torno da recepção do Iº Festival paraibano da moderna música popular brasileira na imprensa paraibana (1967)Vieira, Enzo Cabral Fernandeshttps://repositorio.ufpb.br/jspui/handle/123456789/379502026-04-30T06:07:13Z2026-03-23T00:00:00ZTítulo: Acordes modernos em notas de tradição : as lutas de representações em torno da recepção do Iº Festival paraibano da moderna música popular brasileira na imprensa paraibana (1967)
Autor(es): Vieira, Enzo Cabral Fernandes
Orientador: Rocha, Solange Pereira da
Abstract: In the artistic-musical field, the 1960s were marked by the debate concerning the
modernization of Brazilian Popular Music, constituted by diverse and complex variables,
placing at the center of the debates cultural symbols and political ideologies that not only
sought to re-elaborate the scenario of Popular Music, but also the very meaning of making
music amid the authoritarian times of the military dictatorship. In this context, the stages of
the Brazilian Popular Music Festivals were representative spaces of the effervescent Brazilian
musical production, which acquired different contours in the most varied spatialities of the
country. In view of this, this work has as its core the I Festival Paraibano da Moderna Música
Popular (I FPMMPB), which took place throughout April 1967, in the city of João Pessoa/PB,
and carried in its name the expectation of a modern musical practice in a spatiality revested by
a constellation of symbols and representations that historically forged an ideal of regional
identity invented from the signs of tradition and nostalgia for the past (Albuquerque Júnior,
2011). Thus, the objective of this work is to map and analyze the reception and circulation of
the I Festival Paraibano da Moderna Música Popular Brasileira in the Paraiban press, in order
to understand how the disputes and controversies around the public sphere of the historical
experience of this festival unfolded, also aiming to identify the contours that the discussion on
the modernization of Brazilian popular music assumed in these communication channels. To
this end, this work will focus, in light of the propositions of Roger Chartier (2002), on the
struggles of representations that constituted the coverage of the contest by the newspapers A
União, O Norte and Correio da Paraíba, three of the main communication outlets in Paraíba in
the period, which actively covered the event – from the preparations to the developments of
the grand finale. The methodological path I adopted is what Marcos Napolitano (2005) called
the “investigation of the public sphere of a musical experience,” a procedure that seeks to take
into consideration the multiple planes of reception that compose the immediate context of a
musical experience – woven from a complex relationship between composers, artists,
audience, and critics. Dialogically, it sought to view the press in its relationship with the
social, as part of a communicational process in which both the production of messages and
their interpretation by readers are constituted from cultural codes permeated by
intentionalities and historicities, as pointed out by Marialva Barbosa (2007), Tânia de Luca
(2008), and José D’Assunção Barros (2021). This tracing in the press revealed, therefore, that
this Festival, despite having attempted to close its doors to Northeastern traditions, saw them
enter through the “window” with the victory of the song O Repente, a result that aroused
diverse reactions, mobilized disparate sensibilities, and activated multiple plots in the pages of
the newspapers, allowing the understanding of the existence of other layers of impasses and
conflicts regarding the process of circulation of the tendencies of a modern musical practice
during the 1960s, which, as the Pessoa case itself reveals, did not spread uniformly
throughout the country.
Editor: Universidade Federal da Paraíba
Tipo: TCC2026-03-23T00:00:00ZO doador de memórias : uma análise crítica acerca do conceito de memória histórica individual e coletiva a partir da obra de Lois Lowry.Barbosa, Isabelle Victória De Queirozhttps://repositorio.ufpb.br/jspui/handle/123456789/379462026-04-30T06:07:12Z2026-03-24T00:00:00ZTítulo: O doador de memórias : uma análise crítica acerca do conceito de memória histórica individual e coletiva a partir da obra de Lois Lowry.
Autor(es): Barbosa, Isabelle Victória De Queiroz
Orientador: Cordeiro Junior, Raimundo Barroso
Abstract: This research analyzes the construction of individual and collective historical memory
through Lois Lowry’s The Giver, in dialogue with O History, highlighting the
importance of memory as an active process of identity, resistance, and social preservation. Literature is contextualized as a privileged symbolic space, capable of
questioning the manipulation of memory in dystopian societies and giving visibility to
voices silenced by official history. The study is basic, qualitative, explanatory, and
exploratory in nature, using bibliographical and documentary procedures, covering
academic works published between 2000 and 2024. The results show that Lowry’s
work serves as a critical metaphor for the risks of a society without memories, where
controlling memory equals controlling freedom, while also reinforcing History as a
methodology for democratizing memory. It was found that both literature and history
share the role of preserving, resignifying, and questioning the past, revealing that
memory is always constructed amidst symbolic disputes. The study concludes that
the articulation between fiction literature and History broadens the understanding of
memory as a field of power and resistance, reaffirming literature as an instrument of
criticism, identity preservation, and citizenship formation.
Editor: Universidade Federal da Paraíba
Tipo: TCC2026-03-24T00:00:00ZInfluência intelectual e religiosa feminina na baixa Idade Média : uma análise comparada das figuras de Christine de Pizan e Catarina de SienaSilva, Vitória Lorena de Ponteshttps://repositorio.ufpb.br/jspui/handle/123456789/379022026-04-18T06:05:45Z2025-10-02T00:00:00ZTítulo: Influência intelectual e religiosa feminina na baixa Idade Média : uma análise comparada das figuras de Christine de Pizan e Catarina de Siena
Autor(es): Silva, Vitória Lorena de Pontes
Orientador: Souza, Guilherme Queiroz de
Abstract: This article aims to discuss the influence of medieval women taking into account the intellectual
and religious spheres. To this end, some works will be analyzed, namely: “The City of Ladies”, by the
Italian philosopher Christine de Pizan in comparison with the 381 letters compilation by the Italian
theologian Catherine of Siena. The present work intends to present important aspects of these works,
which cover the intellectual and religious fields, exposing the role played by these women and how it
can be seen in their productions. Furthermore, the article seeks to demonstrate the factors that led these
women to occupy this space of such relevance, as well as the intentions that can be perceived in both
works and the way in which the authors exposed their speeches, agendas and positions
Editor: Universidade Federal da Paraíba
Tipo: TCC2025-10-02T00:00:00ZO diabo viaja às Américas, o santo ofício em seu encalço : o imaginário da magia no Brasil colonialBendito, Abel Calistohttps://repositorio.ufpb.br/jspui/handle/123456789/379012026-04-18T06:05:43Z2025-10-03T00:00:00ZTítulo: O diabo viaja às Américas, o santo ofício em seu encalço : o imaginário da magia no Brasil colonial
Autor(es): Bendito, Abel Calisto
Orientador: Oliveira, Carla Mary da Silva
Abstract: This monograph examines the magical imaginary present in Colonial Brazil by exploring the
inquisitorial discourse on witchcraft during the Early Modern period. It highlights the
Lusitanian and African influences on the formation of this imaginary and emphasizes the
transformations and cultural mestizaje that occurred in the Brazilian context. The research is
grounded in the framework of Cultural History, which enables the analysis of symbolic
representations shaped by diverse beliefs and practices. The concepts of “cultural circularity”
and “filters,” as proposed by Carlo Ginzburg, are employed to understand the impact of
inquisitorial imaginaries on magical worldviews, while the notions of “hybridization” and
“mestizaje,” drawn from Serge Gruzinski, are used to interpret the mixtures present in both the
Portuguese and Brazilian magical imaginaries. The study investigates continuities, ruptures,
and overlaps between magical practices recorded in Portugal and Brazil between the sixteenth
and eighteenth centuries, based on inquisitorial sources transcribed and analyzed by historians
such as Laura de Mello e Souza, Ronaldo Vainfas, Daniela Calainho, Carolina Rocha, and Luiz
Mott. The practices examined include love spells, divination rituals, the use of mandinga
pouches, nocturnal gatherings, and calundus, all understood as expressions of the magical
imaginary in circulation during the Early Modern period. Ultimately, Brazil is conceived as a
colonial space of magic, where the actions of the Holy Office did not eliminate but rather
documented and symbolically reconfigured magical practices, contributing to the formation of
a specifically colonial and mestizo magical imaginary
Editor: Universidade Federal da Paraíba
Tipo: TCC2025-10-03T00:00:00Z