DSpace Coleção:https://repositorio.ufpb.br/jspui/handle/123456789/23452026-04-12T21:54:19Z2026-04-12T21:54:19ZChamada Cantos & Contos.Fernandes, Pedro Henrique Marqueshttps://repositorio.ufpb.br/jspui/handle/123456789/325842024-11-27T10:37:14Z2024-10-24T00:00:00ZTítulo: Chamada Cantos & Contos.
Autor(es): Fernandes, Pedro Henrique Marques
Orientador: Aragão, Rodrigo Martins
Abstract: This work is the production report for the Pomo Cantos & Contos. This final work produced a TV programme announcement spot, a promo, for the program Cantos & Contos on TV Correio, a Record TV affiliate in Paraíba. The theoretical basis includes concepts such as inter-genre intertextuality, highlighting the possibility of combining promos with other genres in order to achieve greater exposure; the very concept of program promos, why they are necessary and how the process of developing them is carried out; the genre of music videos, as a possible genre to add to the promo in question and the notion of transmedia, seeking to
establish a proposal for transmedia dissemination, using television and digital social networks. The work also presents the history of the program benefiting from this promo, Cantos & Contos, and how the content of the program is present in the narrative used in the promo, in order to bring the promotion closer to the product being promoted. The methodology used respects the stages of an audiovisual production: pre-production,
production and post-production. This work resulted in the production of the promo, with versions of 1:30“ (one minute and thirty seconds), 30” (thirty seconds) and an extended version of 3:01” (three minutes and one second).
Editor: Universidade Federal da Paraíba
Tipo: TCC2024-10-24T00:00:00Z"Uma viagem envolvente ao coração no norte e nordeste : o batidão da Pabllo numa perspectiva da crítica musical nacional e estrangeira".Chaves, Thiago Vinicius Alves de Santana Albuquerquehttps://repositorio.ufpb.br/jspui/handle/123456789/282712023-09-06T06:06:07Z2023-06-09T00:00:00ZTítulo: "Uma viagem envolvente ao coração no norte e nordeste : o batidão da Pabllo numa perspectiva da crítica musical nacional e estrangeira".
Autor(es): Chaves, Thiago Vinicius Alves de Santana Albuquerque
Orientador: Mascarenhas, Alan Mangabeira
Abstract: Music criticism seeks to interpret and assess the technical, conceptual, and aesthetic aspects of a musical work. Being a field that is constantly evolving, the professional who engages in music criticism is seen as a "sociocultural detective" who plays an important role in guiding others through analysis and recommendations that can influence the perception and appreciation of music by its consumers. It is this conception that guides
this work, which was written in the first person and aims to perceive, through comparative analysis, how the album "Batidão Tropical" by Pabllo Vittar was analyzed from the perspective of specialized music critics both nationally and internationally, and what aesthetic, political, and social issues were highlighted. In order to do this, each step of this extensive history will be contextualized, starting from the global pop culture, passing
through Brazilian pop culture, which includes a communicational debate about the mainstream and the gears of the entertainment industry, based on authors such as Frédéric Martel, Thiago Soares, Jeder Janotti, Alan Mangabeira, and others, to the indications of a study on fans and fandoms, who critically engage in consuming the album through the concept of affective war machine, adapting the concept of Deleuze and Guattari, in
addition to contextualizing music criticism itself and its importance for radio, TV, and the internet. In parallel to this, this work also highlights the culture of the North and Northeast of Brazil and its external perspective through the sound produced by the singer, something that is rooted in the history of the drag queen artist Pabllo Vittar and materializes in the songs of "Batidão Tropical". At the moment when Pabllo begins to represent the LGBTQIAPN+ community through brazilian rhythms such as brega, tecnobrega, and forró, which are predominantly found in the outskirts of these major and important regions of Brazil, we analyze how the critical reception of this album with these rhythms unfolded in Brazil and the United States, in the G1 and UOL portals, and in the American magazine PopMatters, finding that foreign criticism of Brazilian products is often carried out by Brazilian communication experts, attempting to translate our culture.
Editor: Universidade Federal da Paraíba
Tipo: TCC2023-06-09T00:00:00ZDa morte ao morrer : uma jornada em áudio pela metamorfose do luto.Lira, Joao Lucenahttps://repositorio.ufpb.br/jspui/handle/123456789/276142023-08-09T06:03:41Z2023-06-06T00:00:00ZTítulo: Da morte ao morrer : uma jornada em áudio pela metamorfose do luto.
Autor(es): Lira, Joao Lucena
Orientador: Braga, Victor Eduardo Bijos Jardim Gomes
Abstract: The audio-essay titled From Death to Dying, produced as a graduation project, aims to explore the subjectivity involved in the grieving process, seeking to understand and contribute to a more mature dialogue about death and dying. The choice was made to use the format of an audio-essay, an innovative and unprecedented
approach in graduation projects, due to its distinctive character that provides a deeper level of subjectivity and facilitates an empathetic dialogue between the author and the listener. A total of seven interviews were conducted, with only six of them being included in the final product. Additionally, the audio-essay involved the
participation of two actors and four collaborations in terms of scriptwriting, recording, and direction.
Editor: Universidade Federal da Paraíba
Tipo: TCC2023-06-06T00:00:00ZPodcast PRATADA: o valor da culinária tradicional como ferramenta de fortalecimento cultural e identitário local.Souza, Ana Clara Cordeiro Fernandes dehttps://repositorio.ufpb.br/jspui/handle/123456789/272762023-06-29T06:05:38Z2023-05-22T00:00:00ZTítulo: Podcast PRATADA: o valor da culinária tradicional como ferramenta de fortalecimento cultural e identitário local.
Autor(es): Souza, Ana Clara Cordeiro Fernandes de
Orientador: Aragão, Rodrigo Martins de
Abstract: The present work is a production report of the PRATADA podcast. This is the Final Paper that aims to foster dialogues about Paraíba cuisine and also reflect on the role of women in the kitchen environment, having as a guiding principle the sharing of typical dishes from the state of Paraíba. As a theoretical background, the concept of Food Culture was raised, in addition to the context of traditional cuisine and gender issues that cross this scenario. The podcast was chosen to embody this discussion, as it is a versatile and accessible medium, with thepotential to be incorporated into the daily lives of Internet users. The methodology adoptedfollowed the stages of pre-production, production and post-production. As a result, we havethe pilot
episode of PRATADA, which, in 18 minutes, brings together interviews withspecialists and cooks about their experiences with traditional cuisine, highlighting Jacinta'stestimony. The dish that leads the dialogue is rubacão, an outback delicacy. Available at: [https://open.spotify.com/episode/6wFXp7j2zdEfPMkue07wsP?si=ar0fxnotSZyKtrWUWIiqYg].
Editor: Universidade Federal da Paraíba
Tipo: TCC2023-05-22T00:00:00Z