https://repositorio.ufpb.br/jspui/handle/123456789/2347 2026-04-16T11:57:23Z 2026-04-16T11:57:23Z Silva, Mikaelle da Costa https://repositorio.ufpb.br/jspui/handle/123456789/33815 2025-03-07T06:08:14Z 2021-07-13T00:00:00Z

Título: Andar ilhar: caminhada como prática artística compositiva na cidade de João Pessoa - PB Autor(es): Silva, Mikaelle da Costa Orientador: Didonet, Candice Abstract: Este trabajo titulado “Andar_Ilhar: el caminar como práctica artística compositiva en la ciudad de João Pessoa – PB”, trata de compartir una investigación artística que se desarrolla desde 2016. Tal investigación se trata de una práctica del caminar que tiene como puntos relevantes la composición situada y el diálogo con la ciudad, que en este trabajo, se profundizará a partir de un estudio teórico. Al entender la practica de Andar_Ilhar como un procedimiento artístico que tiene lugar en el proceso de caminada e inmersión por la ciudad, es necesario comprender cómo ha tenido lugar este proceso, desde que se desarrolla la investigación, así como exponer las principales comprensiones que guiaron los estudios científicos de la misma. En busca de un diálogo sensible al tiempo que la creación artística, Andar_Ilhar se entiende como un procedimiento errático de travesía que busca en el encuentro con la ciudad, nuevas corporalidades y relaciones afectivas con los individuos. Así, vemos en esta forma de proceder, posibilidades de reflexión sobre la creación artística y al mismo tiempo sobre el contexto de la ciudad, que inspiran la continuidad de esta investigación desde nuevos encuentros y nuevas perspectivas. Editor: Universidade Federal da Paraíba Tipo: TCC

2021-07-13T00:00:00Z Sousa, Ricelly Pereira de https://repositorio.ufpb.br/jspui/handle/123456789/33797 2025-02-28T06:10:11Z 2020-12-14T00:00:00Z

Título: Semeando solo: o brotar de uma performatividade no contexto do isolamento social Autor(es): Sousa, Ricelly Pereira de Orientador: Fernandes, Adriana Abstract: No Abstract Editor: Universidade Federal da Paraíba Tipo: TCC

2020-12-14T00:00:00Z Roque, Sofia Dias de Almeida https://repositorio.ufpb.br/jspui/handle/123456789/33779 2025-02-27T06:06:23Z 2022-06-27T00:00:00Z

Título: Encontrando Jenny: costuras entre criação de traje de cena e personagem Autor(es): Roque, Sofia Dias de Almeida Orientador: Coelho, Paula Alves Barbosa Abstract: The present work aims to investigate the interrelationships and correspondences existing in the processes of costume creation and character construction. This study is based on the making of the costume of the character Jenny Smith, in the show Mahagonny: the trap city — a play developed from the Brechtian opera Ascension and Fall of the City of Mahagonny — conceived, in part, by the actress who plays it. To carry out this analysis, at first, questions were raised about creative processes from the studies of Fayga Ostrower in her book “Creativity and Creation Processes”. Laura de Campos Françozo's studies on the costumes of the LUME Theater and Fausto Viana's analyzes on the costumes of the Théâtre du Soleil were also used as a reference, making parallels with the methodology of creation of the show Mahagonny. The construction of the character Jenny was analyzed based on Constantin Stanislavski's reflections on the relationship between the costume and the actor. It was observed that the methodologies used in the two creations go through different developments, however, with a common objective. The characteristics of each process complemented each other. The costume creation stages served as a basis for actions on the scene and as substance for the creation of the character by the actress, which configured her, in this experience, as an actress-costume designer. Editor: Universidade Federal da Paraíba Tipo: TCC

2022-06-27T00:00:00Z Sá, Iago Andrade de https://repositorio.ufpb.br/jspui/handle/123456789/31121 2024-07-27T06:10:35Z 2024-05-10T00:00:00Z

Título: Um olhar íntimo sobre o processo criativo no Espetáculo Anacrônico. Autor(es): Sá, Iago Andrade de Orientador: Oliveira, Sérgio José de Abstract: This end-of-course work delves into the intersection between the creative process of a theater show and the personal documentation of this process, through the use of the graphic diary as a recording tool. The graphic diary is presented as a window behind the scenes of the show, revealing the intimate thoughts, inspirations and challenges faced by the actor during the creative journey. Starting from the play "Anachronistic", an authorial piece developed from a collective creation by students from the Bachelor's and Licentiate's degrees in Theatre at the Federal University of Paraíba, directed by Prof. Dr. Lúcia Serpa, the approach focuses on four specific scenes: "Inside a heart that no longer lives", "We agreed not to die", "Manifest" and "Little Ogum" - detailing the paths taken, the reflections made and the transformations experienced during the creative process. Through a detailed analysis, the aim is to contextualize the relationship between the actor, the staging and the play's central theme. The work invites the reader to embark on this journey, where the pages become a record full of memories, reflections and images, conveying not only the details of the show, but also the emotion and dedication that permeated every moment. Editor: Universidade Federal da Paraíba Tipo: TCC

2024-05-10T00:00:00Z