DSpace Coleção: presencialpresencialhttps://repositorio.ufpb.br/jspui/handle/123456789/23892026-08-05T11:39:23Z2026-08-05T11:39:23ZArte anti-sacra: Kenosis e Iconofagia na Crítica de Márcia XSilva, André Luiz de Queiroz Napoleão Soares ehttps://repositorio.ufpb.br/jspui/handle/123456789/383972026-07-21T06:15:49Z2025-10-03T00:00:00ZTítulo: Arte anti-sacra: Kenosis e Iconofagia na Crítica de Márcia X
Autor(es): Silva, André Luiz de Queiroz Napoleão Soares e
Orientador: Souza, Vitor Chaves de
Abstract: This article analyzes the work of Brazilian artist Márcia X., with an emphasis
on the performance "Drawing with Rosaries" (2000-2001), in which Christian symbols
are reinterpreted through critical and erotic operations. The research sought to
understand how the artist appropriates elements of Christianity to produce a critique
of religious structures. The methodology adopted is qualitative and interdisciplinary,
based on the hermeneutics of the work and in dialogue with theoretical frameworks
from religious and communication studies. The concepts used were Marcel
Gauchet's "religion of leaving religion," Paulo Pires do Vale's "art of leaving art," and
Norval Baitello Jr.'s "iconophagy."
Editor: Universidade Federal da Paraíba
Tipo: TCC2025-10-03T00:00:00ZImposição de mãos: um breve estudo sobre as práticas do Reiki, do Johrei e do MahikariAraújo, Cilene Medeiros dehttps://repositorio.ufpb.br/jspui/handle/123456789/382872026-07-08T06:08:19Z2025-10-02T00:00:00ZTítulo: Imposição de mãos: um breve estudo sobre as práticas do Reiki, do Johrei e do Mahikari
Autor(es): Araújo, Cilene Medeiros de
Orientador: Gnerre, Maria Lúcia Abaurre
Abstract: The laying on of hands is a practice widely used in various religious segments. It is
possible to observe that, in antiquity, gestures and rhythmic procedures had in their
hands one of their most expressive and active instruments. Whether in Western
religious segments, such as Christianity, Kardecism or even in African-based cults, and
extending to Eastern religions, such as the Messianic Church, the phenomenon of the
laying on of hands is quite recurrent and respected. Starting from the great theme that
is the laying on of hands, this research aims to carry out a brief study on how this
procedure occurs in the practices of Reiki, Johrei and Mahikari. To achieve our goal,
we conducted consultations in several studies carried out in the area, and we drew up
discussions to enrich our approach. Authors such as Eliade (1991), De ’Carli (2003),
Darnton (2007), Miwa (2012) and Teixeira (2009) served as the basis for the realization
of the theoretical framework constructed here. It was found that the practices discussed
here use the laying on of hands not only as a means of treatment for a momentary
illness, but as a way of providing their practitioners with a transformative experience,
with the ability to establish their bodily health. and to illuminate their spiritual paths,
leading them to happiness.
Editor: Universidade Federal da Paraíba
Tipo: TCC2025-10-02T00:00:00ZTraços de misticismo na vida e obra de frei Damião sobre a ótica de William JamesRibeiro, João Simõeshttps://repositorio.ufpb.br/jspui/handle/123456789/374682026-02-03T16:10:15Z2025-10-01T00:00:00ZTítulo: Traços de misticismo na vida e obra de frei Damião sobre a ótica de William James
Autor(es): Ribeiro, João Simões
Abstract: This study analyzes the presence of mysticism in Frei Damião de Bozzano (1898–1997) in light
of the philosophy of William James (1842–1910), especially his concepts of mystical
experience and religious pragmatism. The objective was to examine evidence of mysticism and
the practical results of religiosity in the life and work of Frei Damião, according to the Jamesian
conception of religious experience. The theoretical foundation is primarily based on The
Varieties of Religious Experience, which describes the nature of individual religious experience
and the four characteristics of mystical experience—ineffability, noetic quality, transiency, and
passivity; and on Pragmatism, which emphasizes experience and action as fruits of faith. The
methodology was qualitative, relying on bibliographic research and case study, with content
analysis of the data. The results indicate experiences of Frei Damião that approximate Jamesian
mysticism: difficulty in expressing intimate experiences, demonstrations of intuitive knowledge
(such as predictions of illnesses), and an attitude of passivity and obedience to faith, although
marked by controversies in his opposition to Protestantism. It is concluded that James’s
perspective reinforces the understanding of Frei Damião as a mystic, since his concepts of
personal religion and mystical experience resonate with the friar’s life. Furthermore,
pragmatism values the fruits of faith, observable in the spiritual and social benefits attributed
to him, reaffirming his place as an expression of popular Catholicism and broadening the
understanding of his legacy.
Editor: Universidade Federal da Paraíba
Tipo: TCC2025-10-01T00:00:00ZTradição Kagyu do Budismo Tibetano Shangpa Kagyu e Karma KagyuCarboni, Charles Eduardohttps://repositorio.ufpb.br/jspui/handle/123456789/374672026-02-03T16:16:42Z2025-08-29T00:00:00ZTítulo: Tradição Kagyu do Budismo Tibetano Shangpa Kagyu e Karma Kagyu
Autor(es): Carboni, Charles Eduardo
Orientador: Gnerre, Maria Lúcia Abaurre
Abstract: The following work aims to offer a historical and conceptual analysis of the development of
Buddhism in Tibet, with emphasis on the Kagyu tradition. It begins with the tantric origins in
India, a fundamental and essential for the consolidation of Vajrayana Buddhism, and follows
its adaptation and roots in Tibetan culture. The study highlights the relevance of the
Mahasiddhas, yogui masters who brought tantric practices that gained momentum between the
8th and 12th centuries CE, they realized the diterct experience of the mind (Buddha state) and
shaped Indian and Tibetan spirituality. Among these masters, figures such as Tilopa, Narops,
Marpa, Milarepa, and Gampopa are viewed as pillars of the Kagyu Lineage, whose practices,
such as the “Six Yogas of Naropa” and “Mahamudra” remain central to this tradition. The
research also examines the transmission of the Shangpa Kagyu and Karma Kagyu lineages,
important school within the tradition. Beyond the historical and spiritual trajectory os the Kagyu
school, the social-cultural role of Tibetan Buddhism is analyzed, showing how it became an
essential element of Tibetan Buddhism is analyzed, showing how it became na essential element
of Tibetan identity and how it expanded to the West, especially in Brazil. In this way, the
research seeks to demostrate how tantric foundations, the figures of the Mahasiddhas, and the
transference of lineages contributed to the expansion and pemanence of the Kagyu tradition in
Asia in the global context.
Editor: Universidade Federal da Paraíba
Tipo: TCC2025-08-29T00:00:00Z