PPGA (João Pessoa) https://repositorio.ufpb.br/jspui/handle/123456789/27248 2026-09-24T08:31:23Z 2026-09-24T08:31:23Z Viana, Matheus da Rocha https://repositorio.ufpb.br/jspui/handle/123456789/39119 2026-09-16T06:11:20Z 2023-08-25T00:00:00Z

Título: “O que sei sobre o amor, eu inventei”: o agir da branquitude na construção do ser negro e nossos afetos em Brasília/DF Autor(es): Viana, Matheus da Rocha Orientador: Nascimento, Pedro Francisco Guedes do Abstract: The present work is the result of an ethnographic research carried out with people from the black population of Brasília, whether born there or not. The objective of the research and analyses presented here has it roots in years-long concern involving the situations of racial and gender violence present in the country and which also make themselves active through urban mechanisms in the country's capital. The fieldwork included interviews conducted remotely and in person during the years of 2021 and 2022, affected by the COVID-19 pandemic, analyses of literary and artistic works and an analysis of the way the black population of Brasília experiences the city, through data produced by the government and events that reached the media. This work allowed me, together with my interlocutors, to analyse constructions of the local cultural imaginary about the black person, the construction of the being and affections of the black person in the face of the situation of racialisation and dominance of whiteness in the country and in its capital. Editor: Universidade Federal da Paraíba Tipo: Dissertação

2023-08-25T00:00:00Z Atanazio, Marianne Muniz https://repositorio.ufpb.br/jspui/handle/123456789/38947 2026-09-10T06:12:10Z 2023-08-28T00:00:00Z

Título: Arte de rua no Recife como forma de construção da resistência e da identidade negra Autor(es): Atanazio, Marianne Muniz Orientador: Tella, Marco Aurélio Paz Abstract: The main objective of this research is to interpret aspects of the cultural movement of street art, more specifically pixo and graffiti, focusing on the production of Afro- centered political resistance through art and the perspectives of black artists who practice and observe it in the historic center of the city. Recife, — being Abròs, Luther, Mosca LDT and Nathê. To this end, the research began with an ethnography of the urban context of the historic center of Recife, seeking to identify and analyze the works of these artists. The Afrocentricity methodology was used, bringing together and giving visibility to the works of black artists and carrying out semi-structured interviews to understand them. Furthermore, other historical sources and contributions from black intellectuals were used to support a narrative that demonstrates the relationship between art and politics, memory and consciousness. Thus, presenting a social history of resistance and black identity in the contemporary street art movement in the historic center of Recife. Editor: Universidade Federal da Paraíba Tipo: Dissertação

2023-08-28T00:00:00Z Lima, Márcia Alexandrino de https://repositorio.ufpb.br/jspui/handle/123456789/38798 2026-08-27T06:12:28Z 2019-08-29T00:00:00Z

Título: "Pra onde vai todo esse sangue na menopausa?" : uma análise antropológica dos aspectos culturais e simbólicos da menopausa Autor(es): Lima, Márcia Alexandrino de Orientador: Nascimento, Pedro Francisco Guedes do Abstract: This work aims to understand the symbolic and cultural representations that permeate menopause among women. Besides that, it sought to understand how primary care health services in Rio Tinto / PB deal with women outside the reproductive age. Menopause from a biomedical point of view is a phase of change, transformation and adaptation, just like adolescence. It does not happen without question and coincides with other changes in a woman's life. The climacteric is the transition phase between the reproductive and non-reproductive periods of a woman's life, extending to 65 years old. Menopause is the milestone of this phase, corresponding to the last menstrual period, only recognized after 12 months. In this perspective, menopause is considered a kind of pathology and not a natural process of the body. Some women have very intense and transient symptoms and others go through this time without complaint and do not need the use of medication or Hormone Replacement Therapy (HRT). Based on the ethnographic method, field trips were conducted with the development of participant observation and informal conversations with professionals from the Family Health Unit (in Portuguese, USF) and users of primary care services in the municipality. Editor: Universidade Federal da Paraíba Tipo: Dissertação

2019-08-29T00:00:00Z Silva , Weverson Bezerra https://repositorio.ufpb.br/jspui/handle/123456789/38414 2026-07-22T06:12:06Z 2026-02-27T00:00:00Z

Título: "Se números frios não tocam a gente, espero que nomes consigam tocar gestão da morte e produção de memória na pandemia da Covid-19 a partir das enlutadas Autor(es): Silva , Weverson Bezerra Orientador: Gutiérrez, Mónica Lourdes Franch Abstract: From an anthropological perspective, death and dying are considered total social facts that allow us to understand the society in which we live and its singularities, according to the historical context in which the individual is embedded and their cultural relations, since these events transcend the individual sphere and play a fundamental role in the construction of collective identity, beliefs, values, rituals, and ways of dealing with grief, thus reflecting the complexity of the scenarios of death. In the midst of a pandemic, in which illness and individual death merge into a collective and traumatic experience, challenges multiply, drawing attention not only to health-related aspects but also to the social, symbolic, political, and ethical dimensions of this phenomenon. This thesis is situated within the field of the Anthropology of Death, seeking to understand the ritual processes of terminality and death of Covid-19 victims during the pandemic, through the experiences of bereaved women who lost their family members between 2020 and 2021 in hospital settings, at a time of heightened sanitary restrictions that affected the performance of rites of passage. It is a multisited ethnography, also grounded in an ethnography of testimony, which privileges listening to the narratives and experiences of these women. The research followed a qualitative methodological approach, including in-depth interviews. The profile of the 31 interlocutors in this research, aged between 23 and 75, identifies them as “guardians of memory,” highlighting the socially attributed role of women in the production, care, and transmission of memories of death and dying. The geographical distribution of these interlocutors spans all five major regions of Brazil, providing the research with a nationwide scope and enabling the observation of different sociocultural contexts shaped by the pandemic. Mass losses and biosecurity regulations within a short period during the pandemic prompt reflection on how the State acted in the development of protocols at the moment of farewell rituals, as well as on State practices regarding bodies contaminated by Covid-19. They also lead us to reflect on how people especially women, elevated to the condition of guardians of memory care for death and the dead and produce memory, even amid extreme situations such as those represented by the Covid-19 pandemic. With this in mind, the relevance of this work lies in contributing to an understanding of the transformations that occurred in the ritual field surrounding death in times of Covid-19: how the treatment of the body contaminated by the coronavirus (post-mortem) took place and what the implications of these changes are for the ritual process and its re-significations in relation to the dead body. This anthropological analysis highlights how funeral practices were affected and adapted during the pandemic, considering sanitary restrictions, impacted cultural traditions, and the management of emotions. Furthermore, by examining the public policies implemented to address the impacts of the pandemic in the funerary and grieving sphere, it becomes possible to identify how governmental authorities conditioned the way bereaved women dealt with this transition, as well as how these regulatory interventions may have shaped the experience of death and the grieving process in the post-mortem. In this way, the results may contribute to a more analytical understanding of practices directed toward dead bodies during the pandemic, as well as public policies that can ensure actions for the bereaved, analyzing the responses produced in a context of sanitary crisis.; RESUMEN Desde una perspectiva antropológica, la muerte y el morir son considerados hechos sociales totales que permiten comprender la sociedad en la que vivimos y sus singularidades, de acuerdo con el contexto histórico en el que el individuo está inserto y con sus relaciones culturales, ya que estos eventos trascienden el ámbito individual y desempeñan un papel fundamental en la construcción de la identidad colectiva, en las creencias, en los valores, en los rituales y en las formas de afrontar el duelo, reflejando, así, la complejidad de los escenarios de la muerte. En medio de una pandemia, en la que la enfermedad y la muerte individual se funden en una experiencia colectiva y traumática, los desafíos se multiplican, llamando la atención no solo sobre los aspectos sanitarios, sino también sobre las dimensiones sociales, simbólicas, políticas y éticas de este fenómeno. Esta tesis se inscribe en el campo de la Antropología de la Muerte, buscando comprender los procesos rituales de terminalidad y muerte de las víctimas de la Covid-19 durante la pandemia, a partir de las experiencias de mujeres en duelo que perdieron a sus familiares entre los años 2020 y 2021 en el ámbito hospitalario, en el momento de mayores restricciones sanitarias que afectaron la realización de los ritos de paso. Se trata de una etnografía multisituada, anclada también en una etnografía del testimonio, que privilegia la escucha de las narrativas y experiencias de estas mujeres. La investigación siguió un enfoque metodológico cualitativo, incluyendo la realización de entrevistas en profundidad. El perfil de las 31 interlocutoras de la investigación, con edades comprendidas entre 23 y 75 años, las identifica como “guardianas de la memoria”, evidenciando el papel socialmente atribuido a las mujeres en la producción, el cuidado y la transmisión de las memorias de la muerte y del morir. La distribución geográfica de estas interlocutoras abarca las cinco grandes regiones de Brasil, otorgando a la investigación una perspectiva de alcance nacional y permitiendo observar diferentes contextos socioculturales atravesados por la pandemia. Las pérdidas masivas y las normas de bioseguridad en un corto período de tiempo durante la pandemia suscitan una reflexión sobre cómo el Estado actuó en la elaboración de protocolos en el momento de los rituales de despedida, así como sobre las prácticas estatales en relación con los cuerpos contaminados por la Covid-19. Pero también nos llevan a reflexionar sobre la forma en que las personas, especialmente las mujeres, elevadas a la condición de guardianas de la memoria, cuidan de la muerte y de los muertos y producen memoria, incluso en medio de situaciones extremas como las representadas por la pandemia de la Covid-19. Teniendo esto en cuenta, la relevancia de este trabajo radica en contribuir a la comprensión de las transformaciones que ocurrieron en el campo ritual en torno a la muerte en tiempos de Covid-19: cómo se llevó a cabo el tratamiento del cuerpo muerto contaminado por el coronavirus (post-mortem) y cuáles son las implicaciones de estas modificaciones en el proceso ritual y sus resignificaciones en relación con el cuerpo muerto. Este análisis antropológico destaca cómo las prácticas funerarias fueron afectadas y adaptadas durante la pandemia, considerando las restricciones sanitarias, las tradiciones culturales impactadas y el manejo de las emociones. Además, al examinar las políticas públicas implementadas para hacer frente a los impactos de la pandemia en el ámbito funerario y del duelo, es posible identificar cómo las autoridades gubernamentales condicionaron la manera en que las enlutadas afrontaron la transición, así como cómo estas intervenciones regulatorias pudieron haber moldeado la experiencia de la muerte y el proceso de duelo en el post-mortem. De esta manera, los resultados pueden contribuir a una comprensión más analítica de las prácticas orientadas a los cuerpos muertos durante la pandemia, así como de las políticas públicas que puedan garantizar acciones para las personas en duelo, analizando las respuestas producidas en un contexto de crisis sanitaria. Editor: Universidade Federal da Paraíba Tipo: Tese

2026-02-27T00:00:00Z