PPGM https://repositorio.ufpb.br/jspui/handle/tede/5443 2026-10-12T01:43:26Z 2026-10-12T01:43:26Z Santana Junior, José Balbino https://repositorio.ufpb.br/jspui/handle/123456789/39261 2026-09-24T06:11:38Z 2025-07-31T00:00:00Z

Título: Subgrave Nordestino : uma faceta contra colonial da música eletrônica brasileira : interações entre música eletrônica e culturas populares e tradicionais Autor(es): Santana Junior, José Balbino Orientador: Queiroz, Luis Ricardo Silva Abstract: This research aims to assert as a counter-colonial proposition in the field of contemporary musical production a branch of Brazilian electronic music referred here as Subgrave Nordestino. Fruit of the interaction between music from traditional and popular cultures and the production of artists from the electronic music scene in the northeast region of Brazil, Subgrave Nordestino is revealed in this research through musical production experiences in communities that maintain musical traditions related to the country’s black and indigenous cultures. These field actions were inspired mainly by the Participatory Action Research proposed by Orlando Fals Borda and subsidized the production of concepts such as Musical Attitude, formulated based on the insufficiency of the idea of musical genre in the classification and analysis of Subgrave Nordestino. Conceived and created based on unexpected movements by the cultural agents involved in its production, Subgrave Nordestino has consolidated itself as a counter-colonial Musical Attitude, since its materialization often goes against the way the recording industry conducts musical production in the country and worldwide. Thus, from listening to the cultural agents involved and, above all, the actions or circumstances of musical production proposed by the research itself, data and concepts were produced and analyzed based on the establishment of interpersonal relationships, as well as original categorizations that emerged in the context of the research itself, a movement that reiterates the transformative and counter-colonial potential of this music that has been produced in the Brazilian northeast. Editor: Universidade Federal da Paraíba Tipo: Tese

2025-07-31T00:00:00Z Guimarães, Ana Carolina Pereira https://repositorio.ufpb.br/jspui/handle/123456789/38938 2026-09-10T06:11:53Z 2025-07-25T00:00:00Z

Título: (Im)permanência da rabeca no Cavalo Marinho Infantil do Bairro dos Novais: reintegração, prática e performance do instrumento sob ótica da rabequeira brincante Autor(es): Guimarães, Ana Carolina Pereira Orientador: Bujes, Paula Farias Abstract: The Cavalo Marinho Infantil Sementes do Mestre João do Boi, Mestra Tina e Brincantes is a traditional folk group rooted in the Bairro dos Novais, in the city of João Pessoa (PB). Since the 1970s, it has mainly included children and young people from the region, constituting itself as an effective means of expressive development, education and social inclusion of its members in the community and the universe of traditional folk culture. This context provides appreciation for folk manifestations, the teaching and learning of music, dance and theater, as well as the maintenance of a tradition based on the affection and interpersonal relationships of its members in exchange for the social, political and economic exclusions they suffer. It is also configured as a Cavalo Marinho group, a traditional Brazilian folk practice found essentially in the states of Paraíba and Pernambuco, being a traditional space for rabeca/fiddle music in these states. However, over the years, the rabeca performances in the group have been irregular, due to the shortage of rabeca players in the metropolitan region of João Pessoa and the loss of those who once existed. In this context, this study aimed to investigate, analyze, and reflect on the process of reintegrating the rabeca and the practical and interpretative possibilities of this instrument within the Cavalo Marinho Infantil of Bairro dos Novais, from the perspective of the researcher herself, who acted as a rabeca player in the group between 2022 and 2025. This qualitative research employed the Life History method, collecting data through participant observation methodology, interviews, and audiovisual records. The study was complemented by sound-documentary investigation, as well as musical transcriptions of melodies sung by the group, and the production of an EP with sound recordings of the performance. Through this, the research sought to reflect on the the rabeca's performance, its interpretative possibilities, and its re-signification within the context of the play, considering the mutual influence between the rabeca player, the Master, and the performers (brincantes), as well as the social and cultural dimensions involved. The investigation was grounded in epistemological and practical approaches anchored in the sensitive and lived experiences of its participants. Editor: Universidade Federal da Paraíba Tipo: Dissertação

2025-07-25T00:00:00Z Rea, Adriano Maraucci https://repositorio.ufpb.br/jspui/handle/123456789/38921 2026-09-09T06:11:09Z 2026-01-19T00:00:00Z

Título: Àṣẹ & music: do domínio acústico da cultura, uma densa presença incorporada Autor(es): Rea, Adriano Maraucci Orientador: Queiroz, Luís Ricardo da Silva Abstract: This work re-analyzes the musical genre axé music by exploring its "acoustic/non-verbal domain," seeking a stable conceptualization that encompasses both its musicological taxonomy and the "world hearing" of the Salvador community. The work defines the acoustic domain of the culture as the expression and perception of the native audible world, operating independently of the verbal-cognitive linguistic system in the composition of the local identity. The research proposes to expand the semantic capacity of the sound focusing on the communication of a "programmed contents" set that positions meanings as inherent to the sound itself – without words. Through a macro-epistemological framework integrating the anthropology of senses, semiotics, and the musicologies, it analyzes how ethno-folkloric musicalities and urban popular music are embodied in axé music. The analysis prioritizes rhythmic and timbral parameters, understanding them as vectors of identification (self), belonging (kronos), and location (locus). It concludes that the "acoustic/non-verbal domain" of axé music is central to the "community imagination," activating collective memory between the mythical time and the contemporary reality of the city of Salvador. Editor: Universidade Federal da Paraíba Tipo: Tese

2026-01-19T00:00:00Z Lima, Flavio Fernandes de https://repositorio.ufpb.br/jspui/handle/123456789/38660 2026-08-13T06:11:33Z 2018-08-06T00:00:00Z

Título: A Teoria dos Contornos aplicada na Fusão Paramétrica do Frevo de Rua Pernambucano: inter-relações com aspectos da Música de Concerto do séc. XX Autor(es): Lima, Flavio Fernandes de Orientador: Alves, José Orlando Abstract: The main objective of this thesis is to decipher the possibilities of developing compositional plans based on the study of the fusion of elements of street frevos from Pernambuco with aspects of 20th-century concert music, in addition to the elaboration and description of original compositions resulting from these plans. The manipulations of the parametric elements of frevo music were based on analytical procedures, such as the Theory of Contours, Joseph Straus' Revisionary Proportions and the textural relationships between register, absolute and relative densities, redefined by Wallace Berry and improved by Didier Guigue. The thesis also demonstrates how various concepts such as sound masses, micropolyphony, serialism, minimalism, metric modulation, etc., were appropriated by the planning and how such planning structured the compositional actions that resulted in four pieces: a brass quintet (Creation No. 3), an orchestral composition (Scenes for Orchestra) and two pieces for percussion ensemble (Frevindo-Serializando and Frevindo-Minimalismando). The second part of the thesis contains the scores of these compositions. Editor: Universidade Federal da Paraíba Tipo: Tese

2018-08-06T00:00:00Z