https://repositorio.ufpb.br/jspui/handle/tede/285 PPGAU 2026-11-07T18:05:15Z https://repositorio.ufpb.br/jspui/handle/123456789/39675 Título: Encontros entre o global e o local: a poética construtiva híbrida na arquitetura de Francis Kéré Autor(es): Luna, Lyllian Maria Arruda de Orientador: Rocha, Germana Costa Abstract: This work aims to analyze Francis Kéré’s tectonic perspective with a view to the expressiveness of hybrid technologies, focusing on three of the four projects that comprise Gando Primary School Complex:GandoPrimarySchool(2001);GandoPrimarySchoolExtension(2008)andGando Primary School Library (2010 - Under construction). Amid the socio-environmental crisis, contemporary architects have been required to adopt design practices that are more responsive to the site of insertion. Thus, some architects have sought a reciprocal interaction between local and global production, in which the advantages of production are combined as an alternative to the universalist tendencies. These encounters are called hybridization. In this scenario, Francis Kéré stands out by exploring hybrid technologies, reflecting his social and environmental commitment to the local population, while promoting a harmonious integration between architecture and its surroundings. The research is also based on the concept of tectonic in the architectural project to address the expressiveness resulting from the relationship between the formal architecture structure, the site and the constructive aspects, starting from the design process.Based on this, the analytical parameters under which the selected works studied are defined. Redesign is adopted as a research tool, enabling the investigation of the projects’ compositional structure and making explicit their tectonic details and articulations. The research is descriptive and exploratory in nature, adopting a qualitative approach. It comprises the stages of a bibliographic review, a documentary survey, the application of analytical parameters, and, finally, a discussion of possible adaptations and reproductions of hybrid techniques in the contemporary architectural solutions developed by the architect. The result demonstrates the potential of combining hybrid technical and expressive solutions, exploring both global and local modes of production, as an innovative architectural response resistant to cultural homogenization, present in Kéré’s projects. The duality between the artisanal and the industrial, as well as between the tectonics of heaviness and lightness, resonates throughout all the projects analyzed, assuming a central role in their architectural language. Kéré explores the poetic dimension of architecture through the integration of material, cultural, and aesthetic aspects in the formal result. Editor: Universidade Federal da Paraíba Tipo: Dissertação 2025-12-12T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/39674 Título: Arquitetura e o lugar, um olhar para além do centro : a casa contemporânea produzida em Caruaru-PE; Campina Grande-PB e Juazeiro do Norte-CE Autor(es): Bezerra, Ana Clara Marques Orientador: Vidal, Wylnna Carlos Lima Abstract: Contemporary Brazilian architecture is in a process of development, and reflections on the subject must consider the diverse aspects that influence architectural production in each location, such as social, economic, territorial, and bioclimatic contexts. Based on this premise, this research focuses on contemporary Brazilian residential architecture produced in the Northeast region by young architects and built outside capital cities in towns with a semi-arid climate. The objective of this study is to investigate the relationships between architecture and place, seeking to identify potential particularities and similarities in six houses designed by three young architectural firms: Jirau Arquitetura e Urbanismo, based in Caruaru (PE); Lins Arquitetos Associados, based in Juazeiro do Norte (CE); and Vila Nova Arquitetura e Urbanismo, based in Campina Grande (PB), within the timeframe from 2010 to 2023. The analyses considered three criteria: place, discourse, and materiality. The results indicate that architectural productions establish contextual relationships through design strategies that, while sharing some similarities, reveal particularities related to the specific characteristics of each location and the methodology adopted by each firm. Editor: Universidade Federal da Paraíba Tipo: Dissertação 2025-01-29T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/39649 Título: O bangalô em João Pessoa (1932-1963): expressão na arquitetura, na cidade e no modo de morar Autor(es): Queiroz, Camila Renata de Figueiroa Orientador: Cavalcanti Filho, Ivan Abstract: The bungalow, a residential typology that spread nationwide in the first half of the twentieth century, played an important role in the (trans)formation of the urban landscape of several Brazilian cities. One of them, the capital of Paraíba, experienced the expansion of its urban fabric when the public authorities invested in successive interventions, expressed in the creation of new road axes and new residential areas aimed at the modernization of the city. The urban improvements were accompanied by changes in the production of architecture, which gradually began to reflect the aspirations, especially of the upper-middle class, to live in healthy, hygienic dwellings adapted to the premises of modern life. It was in this context that the bungalow spread within the residential sphere of the capital, concentrating mainly in its expansion area and surroundings. With a simple and compact floor plan, the bungalow was consolidated as a modern and accessible housing alternative, characterized by formal and ornamental elements that contributed to the formation of a new urban landscape. With the implementation of public housing policies, the typology was used as an instrument to enable home ownership for different social classes. At the state level, between the 1930s and 1940s, the Montepio dos Funcionários Públicos facilitated for its policyholders the financing for the acquisition of housing, whether of upper-middle or popular standard, predominantly adopting the bungalow typology. In the 1950s and early 1960s, the bungalow became the preferred model among the dwellings financed, individually or as housing complexes, by the Institutes of Retirement and Pensions, linked to the federal sphere. The objective of this dissertation is to record the protagonism of the bungalow in the urban landscape of João Pessoa, understanding the relationship between the city that was expanding and modernizing, the architecture that was being produced, and the different ways of living promoted by it. For this purpose, the work makes an incursion into the trajectory of the typology from its emergence to its diffusion in the capital of Paraíba, highlighting the relationship between the expansion of the city and its occupation with the bungalow, both through private initiative, from individual investments, and through government financing. Through the identification and mapping of still existing examples of the typology, a panoramic analysis of its production is first carried out. Then, fifteen residential units, built either by private initiative or through financing, are studied in detail. Based on preestablished criteria, the analysis of the two categories generates a synthesis chart that points out the convergences and/or divergences found in the sample. Despite its relevance in the (trans)formation of the residential landscape of the capital of Paraíba in the mid-twentieth century, the bungalow is not officially recognized as heritage of historical and cultural interest, remaining at the mercy of interventions that not only disfigure it but also ruin and destroy it. The importance of this work lies in the urgency of deepening the study of the typology, while it is still possible to record its presence in the landscape of the city of João Pessoa, and above all to attribute to it the protagonism it deserves within the urban, architectural and social perspective of the period of its production. Editor: Universidade Federal da Paraíba Tipo: Dissertação 2025-12-16T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/38894 Título: Fachadas fantasmas: os espectros da arquitetura eclética na cidade de João Pessoa Autor(es): Madruga, Gabriel de Oliveira Orientador: Cavalcanti Filho, Ivan Abstract: The architecture of the past endures in the urban landscape as a spectre, neglected in the collective historical consciousness. These buildings, as historical witnesses, manifest as phantom façades -vestiges of continuities and ruptures that haunt the city. This research investigates eclecticism in the architecture of João Pessoa, capitalof Paraíba, from the late 19th century through the first half of the 20th century. In this period of urban modernization, this architectural language, based on compositionalfreedom and stylistic polyphony, materialized the republican ideology, encompassing more than a thousand identified examples. Despite its relevance, local eclecticism receives only briefand superficial mentions in the literature, being recurrentlyglimpsed through a single analytical lens. In addition to the scarcity of documents, there is a visible process of neglect that jeopardizes the physical integrity of this built heritage.This dissertation's primary objective is to conduct a historical-morphological reading of this eclecticism. The study focuses specifically on buildings situated within and adjacent to the city's original nucleus during the aforementioned research time frame. By (re)constructing the formal trajectory of this language, it aims to (re)examine its reception and varied forms of representation in the city. To that end, this dissertation records a 'living heritage'-consisting of 914 examples-and reconstitutes a 'dead heritage'-with 246-, totalling a sample of 1160 buildings. Mapping this language helped decode its urban dispersion as well as understand its nexus to urban dynamics. Analytical attributes were applied to systematize the examples according to morphological parameters, with an emphasis on surfaces and volumes. This analytical effort contributed to evaluate the local eclectic architectural practice in lightof the historicalfactors that conditioned its manifestation, reception, and diffusion. Results indicate that eclecticism was mostly spread through the oldest areas and extended significantly through the expansion sectors, where it assumed a structuring role. Morphologically, it was found that the language is expressed in three distinct phases. In the first phase, continuities with the colonial and imperial modus aedificandi are revealed, frequently manifesting as 'makeup'applied over preexisting buildings in the initial nucleus. In the second phase, the language acquires systemic contours driven by the economic prosperity of the cotton trade; it spreads through the expansion sectors of the city, diffuses among higher social strata, and experiences greater constructive freedom with the introduction of frontal lot setbacks. A more assertive historicist rupture with the colonial tradition is then consolidated, enabling formal experimentations that consummate the modernizing project. In the third phase, a conceptual departure from eclectic canons occurs, incorporating a tendency toward ornamental depuration that would anticipate modernism. It is concluded that eclecticism manifests itself in João Pessoa as an expanded field of compositional freedom, marked by personalized interpretations of consecrated repertoires that confer visual appeal to buildings and endow the city with an inventive practice aligned with the modernizing desires of republican society. Editor: Universidade Federal da Paraíba Tipo: Dissertação 2026-07-15T00:00:00Z