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    <title>DSpace Coleção:</title>
    <link>https://repositorio.ufpb.br/jspui/handle/123456789/11048</link>
    <description />
    <pubDate>Sat, 23 May 2026 17:37:06 GMT</pubDate>
    <dc:date>2026-05-23T17:37:06Z</dc:date>
    <item>
      <title>Condições artesãs : tendências disposicionais e trajetórias sociais de artesãos paraibanos</title>
      <link>https://repositorio.ufpb.br/jspui/handle/123456789/38004</link>
      <description>Título: Condições artesãs : tendências disposicionais e trajetórias sociais de artesãos paraibanos
Autor(es): Nazário, Maria Vitória Leite
Orientador: Sá, Marcio Gomes de
Abstract: This work seeks to deepen the understanding of artisan conditions in Paraíba based on the&#xD;
analysis of how the social trajectories of the arts in Paraíba operate in the formation of&#xD;
dispositions that structure their ways of living, working and positioning themselves in crafts in&#xD;
the contemporary scenario. To this end, this study is based on the so-called dispositionalist&#xD;
sociology of Pierre Bourdieu (1989; 1994; 1996) and Bernard Lahire (2004; 2010), especially&#xD;
with regard to the notion of “dispositions” as an instrument with the potential to achieve an&#xD;
understanding of the contexts of the artisan community based on the dimensions of meanings&#xD;
and logics attributed to the actions of those researched, including their variations. In&#xD;
methodological terms, a research used the qualitative method, with the application of four in-&#xD;
depth interviews with artisans, among them, a master, a master and two artisans, whose profile&#xD;
represents, mostly women, self-declared mixed race or black, two from the interior region and&#xD;
two from the metropolitan region of João Pessoa, between the ages of 40-70 years, held within&#xD;
the scope of the 37th edition of the Salão do Artesanato Paraibano, in addition to observations&#xD;
and field notes, which helped to compose the analysis. As a result, it was possible to perceive&#xD;
a rural, interior origin, with little access to education and the transfer of artisanal knowledge in&#xD;
the family trajectory of the artisans, marked by dispositions oriented towards the value of work&#xD;
as central. On the other hand, investigations on an individual scale allowed me to identify&#xD;
differences that were invisible from afar: ways in which the habits incorporated by the arts and&#xD;
their updates, depending on the vivid contexts, are expressed in “stronger” or “weaker” ways,&#xD;
such as the desire to survive from crafts as the main source of income; practice popular&#xD;
knowledge or adapt to contemporary logic and seek recognition and visibility.
Editor: Universidade Federal da Paraíba
Tipo: TCC</description>
      <pubDate>Wed, 11 Feb 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufpb.br/jspui/handle/123456789/38004</guid>
      <dc:date>2026-02-11T00:00:00Z</dc:date>
    </item>
    <item>
      <title>O gênero da pólis :o lugar da mulher nos discursos parlamentares</title>
      <link>https://repositorio.ufpb.br/jspui/handle/123456789/37868</link>
      <description>Título: O gênero da pólis :o lugar da mulher nos discursos parlamentares
Autor(es): Almeida, Dayana da Silva
Orientador: Pontes, Thiago Panica
Abstract: This research, entitled "The Gender of the Polis: the place of women in parliamentary&#xD;
speeches" aims to examine how parliamentary speeches can reveal elements of male&#xD;
domination, based on shorthand notes from the pre- and post-coup period of then-President&#xD;
Dilma Rousseff. To this end, Critical Discourse Analysis (CDA) is adopted as the method, as&#xD;
proposed by Norman Fairclough, articulated with the theoretical perspectives of Pierre&#xD;
Bourdieu and Heleieth Saffioti. This approach allows us to examine the elements present in&#xD;
parliamentary representations and inform the development of analytical frameworks.&#xD;
Considering that some of these representations reach up to 90 pages, systematization into&#xD;
frameworks is necessary to condense the material. Through this organization, it was possible&#xD;
to identify discourses structured around biological, religious, and moral justifications, which&#xD;
operate as vectors for perpetuating female underrepresentation in politics, reaching a level&#xD;
within the political arena that hinders the presence of these women and outside the arena,&#xD;
discouraging their entry into political activity.
Editor: Universidade Federal da Paraíba
Tipo: TCC</description>
      <pubDate>Fri, 03 Oct 2025 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufpb.br/jspui/handle/123456789/37868</guid>
      <dc:date>2025-10-03T00:00:00Z</dc:date>
    </item>
    <item>
      <title>“Memórias de infâncias posithivas : a cronicidade do HIV por transmissão vertical”</title>
      <link>https://repositorio.ufpb.br/jspui/handle/123456789/37734</link>
      <description>Título: “Memórias de infâncias posithivas : a cronicidade do HIV por transmissão vertical”
Autor(es): Souza, Akim de Paula
Orientador: Gutiérrez, Mónica Lourdes Franch
Abstract: This monograph investigates the experiences of people living with HIV/Aids since birth,&#xD;
drawing from childhood memories to shed light on the so-called posit(hiv)e childhoods and&#xD;
their historically invisible trajectories. It contextualizes the epidemic by differentiating the&#xD;
pre-ART period — marked by moral panic, stigma, and the association of Aids with the&#xD;
“gay plague” — from the post-ART period, when antiretroviral therapy transformed the&#xD;
disease into a chronic condition, even though stigma persists. With a qualitative approach&#xD;
grounded in the Social Sciences, particularly Anthropology, the research employs&#xD;
semi-structured “comprehensive” interviews with three adults living with HIV through&#xD;
vertical transmission — Lego, Lina, and Lírio — whose narratives reveal that HIV has&#xD;
shaped everyday life since childhood, generating coping strategies and negotiations that&#xD;
resonate into adulthood, so that chronicity does not present itself as a biographical rupture&#xD;
but rather as a constitutive part of the “always lived.” The interviews address diagnostic&#xD;
disclosure, school experiences, mourning, orphanhood, secrecy, and the ongoing impact of&#xD;
stigma, connecting these memories to audiovisual productions such as Um Lugar para&#xD;
Annie, A Cura, and Aquela Criança com AiD$ — the latter starring Lírio Nascimento, who&#xD;
proposes a counter-hegemonic narrative and reimagines futures for these children. The&#xD;
study demonstrates that understanding HIV requires going beyond the biomedical&#xD;
dimension, taking into account its social, affective, and symbolic implications. By&#xD;
recovering these “subterranean memories,” this research contributes to the Anthropology&#xD;
of Health and to the fight against “social viruses,” reaffirming the need for public policies&#xD;
that not only ensure access to treatment but also promote dignity, care, and the right to the&#xD;
full experience of posit(hiv)e childhoods, adolescences, and youths.
Editor: Universidade Federal da Paraíba
Tipo: TCC</description>
      <pubDate>Fri, 26 Sep 2025 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufpb.br/jspui/handle/123456789/37734</guid>
      <dc:date>2025-09-26T00:00:00Z</dc:date>
    </item>
    <item>
      <title>" A cruz que cravou na minha aldeia : a presença do pentecostalismo dentro da aldeia Potiguara Grupiúna dos Cândidos”</title>
      <link>https://repositorio.ufpb.br/jspui/handle/123456789/37733</link>
      <description>Título: " A cruz que cravou na minha aldeia : a presença do pentecostalismo dentro da aldeia Potiguara Grupiúna dos Cândidos”
Autor(es): Sousa, Matheus Ramos Araújo de
Orientador: Gonçalves, Alícia Ferreira
Abstract: La presente etnografía resulta de la experiencia de campo realizada en la Aldea Grupiúna dos&#xD;
Cândidos, ubicada en la Tierra Indígena Jacaré de São Domingos, en el Territorio Indígena&#xD;
Potiguara, litoral norte de Paraíba (Brasil). La aldea, considerada por sus propios habitantes&#xD;
como la más aislada de la región, llamó la atención por la presencia destacada de una Iglesia&#xD;
Evangélica Pentecostal construida en albañilería, en contraste con las casas de barro que&#xD;
componen el paisaje local. Compuesta por 26 familias, todas convertidas al pentecostalismo,&#xD;
la comunidad despertó el interés de esta investigación en torno a la presencia y expansión de&#xD;
las iglesias evangélicas en territorios indígenas. El campo de investigación se centra en dicha&#xD;
aldea, donde fui acogido por las familias y pude realizar visitas recurrentes. La investigación&#xD;
adopta como metodología el uso de diario de campo, entrevistas, fotoetnografía, cartografía&#xD;
social, recursos audiovisuales, revisión bibliográfica y, sobre todo, la escucha sensible y el&#xD;
aprendizaje junto a la comunidad. La discusión se inscribe en el contexto del crecimiento de&#xD;
las iglesias de orientación pentecostal y neopentecostal en tierras indígenas, fenómeno que&#xD;
ocurre paralelamente a los procesos de recuperación de los signos diacríticos por parte de los&#xD;
pueblos indígenas del Nordeste. En este sentido, se busca comprender cómo la ancestralidad&#xD;
y la cosmología potiguara dialogan con el pentecostalismo, investigando los significados&#xD;
atribuidos a la presencia evangélica en el territorio. Como cuestión central, la investigación se&#xD;
enfoca en la posibilidad de coexistencia entre la identidad indígena y la religiosidad&#xD;
pentecostal, proponiendo la siguiente reflexión: ¿es posible ser indígena y creyente?
Editor: Universidade Federal da Paraíba
Tipo: TCC</description>
      <pubDate>Tue, 19 Aug 2025 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufpb.br/jspui/handle/123456789/37733</guid>
      <dc:date>2025-08-19T00:00:00Z</dc:date>
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