https://repositorio.ufpb.br/jspui/handle/123456789/2339 Sun, 12 Apr 2026 23:23:58 GMT 2026-04-12T23:23:58Z https://repositorio.ufpb.br/jspui/handle/123456789/33557 Título: A jornada da heroína e a construção da representação feminino em Serena Perfeição:uma análise sob a perspectiva da direção. Autor(es): Trindade, Lorrany dos Santos Orientador: Mayer, Flávia Affonso Abstract: The aim of this paper is to report on the experience of directing the film Serena Perfection from the perspective of a woman director and to discuss the challenges faced in this process. The methodology used is based on a narrative and reflective analysis of the direction of Serena Perfection, dialoguing with concepts of the heroine's journey proposed by Maureen Murdock and Visual Pleasure by Laura Mulvey. - Or how these concepts apply to theaestheticandnarrativeconstructionofthefilm.Theresearchisjustifiedbytheneedtodiscuss the difficulties faced by women in cinema, especially in leadership positions and the construction of women's narratives. Among the topics covered are the dynamics of directing and the visual conception of the film from an artistic perspective focused on women. The conclusion of this work reinforces the theoretical and practical fronts regarding the importance of female participation in cinematographic creation, and its impact on narrative conception outside the hegemonic male gaze. Editor: Universidade Federal da Paraíba Tipo: TCC Fri, 01 Nov 2024 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/33557 2024-11-01T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/33536 Título: Representatividade no audiovisual : a voz dos roteiristas com deficiência visual. Autor(es): Bernardo, Klinton Neves Orientador: Mayer, Flávia Affonso Abstract: This study aims to investigate the significance of representation for individuals with visual impairments in the conception of audiovisual works, with a particular focus on the role of screenwriters. To achieve this objective, a comprehensive literature review was conducted addressing topics such as representation in audiovisual media, stereotypes associated with individuals with visual impairments, and authorship in cinema. Building upon these discussions, an exploratory analysis was performed on four episodes of the series “In the Dark” (2019), which features characters with visual impairments and includes episodes authored by a screenwriter with a visual impairment. The analysis employed Nelson's (1994) categories of stereotypes and a scene count to examine instances where the visual impairment of the characters is highlighted. The conclusion suggests that the involvement of a screenwriter with a visual impairment significantly influences the final outcome of the audiovisual product and the representation of characters with disabilities. Editor: Universidade Federal da Paraíba Tipo: TCC Fri, 01 Nov 2024 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/33536 2024-11-01T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/33535 Título: A Imagem-Cristal e os Cristais de Tempo em O Menino e a Garça : uma análise do tempo no cinema à luz das teorias de Gilles Deleuze. Autor(es): Falcão, Bárbara André de Almeida Orientador: Mayer, Flávia Affonso Abstract: This thesis aims to explore Gilles Deleuze's Time-Image theories, emphasizing on the concepts of Crystal-Image and the Crystals of Time, applying them to animated cinema. Based on the work “The Boy and the Heron” (2023), directed by Hayao Miyazaki from Studio Ghibli, a detailed analysis of the representation and manipulation of time is conducted, addressing how its narrative and visual layers connect to Deleuze's theory. From this, an analysis of the different states of the crystal - perfect crystal, cracked/flawed crystal, crystal of seeds and decaying crystal - applying them to the animated film “The Boy and the Heron”. Thus, the main objective is to gain a deeper and better understanding of the functioning and different ways to manipulate time in contemporary filmmaking. Editor: Universidade Federal da Paraíba Tipo: TCC Fri, 01 Nov 2024 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/33535 2024-11-01T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/33534 Título: O protagonismo feminino na crítica e a visibilidade do cinema de mulheres : uma análise do coletivo Elviras e da revista Verberenas. Autor(es): Ferreira, Mikaeli Santos Orientador: Falcone, Fernando Trevas Abstract: The presence of women in film criticism has become essential for valuing and increasing the visibility of films made by women. Historically, both film production and criticism have been dominated by male perspectives, often leading to narratives that marginalize female experiences and obscure the contributions of pioneering women. This monograph aims to explore initiatives that promote female participation in film criticism, along with the tools and methods developed by women to enhance their impact, as well as the content of their analyses. The Elviras collective, made up of film critics from across the country, seeks to raise awareness and support the work of female filmmakers while challenging power structures within the film industry. Similarly, the magazine Verberenas serves as a platform for film criticism by women in the audiovisual field, often focusing on works associated with marginal cinema. These organizations play a crucial role in developing perspectives that go beyond dominant narratives, highlighting the work of multiple generations of female directors. Editor: Universidade Federal da Paraíba Tipo: TCC Wed, 30 Oct 2024 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/33534 2024-10-30T00:00:00Z