https://repositorio.ufpb.br/jspui/handle/123456789/2345 Thu, 10 Sep 2026 18:37:55 GMT 2026-09-10T18:37:55Z https://repositorio.ufpb.br/jspui/handle/123456789/38837 Título: Relatório do documentário : “nas ondas da 100.5: a história da FM Líder” Autor(es): Rosendo, Alexandre da Silva Orientador: Mafaldo, Norma Maria Meireles Macedo Abstract: This final project report aims to present a documentary entitled "On the waves of 100.5: The history of FM Líder." The project aims to portray the station's history since its founding, highlighting some of the era's defining programs, the events it hosted, the voices that gave the station its identity, and the evolution of its programming to its current state, where the station operates in a scenario marked by media convergence. To this end, testimonials from professionals and collaborators who participated in the station's development were gathered, relating its importance to local communication. The objective of the research is to demonstrate how the station built its identity, analyzing its importance in local daily life, and how it reinvented itself over the years in the face of the expansion of the internet, with new access devices that enabled greater interaction with the audience. The result was a documentary with an average running time of 18 minutes, highlighting the role of radio as a cultural and social instrument. Editor: Universidade Federal da Paraíba Tipo: TCC Fri, 03 Oct 2025 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/38837 2025-10-03T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/32584 Título: Chamada Cantos & Contos. Autor(es): Fernandes, Pedro Henrique Marques Orientador: Aragão, Rodrigo Martins Abstract: This work is the production report for the Pomo Cantos & Contos. This final work produced a TV programme announcement spot, a promo, for the program Cantos & Contos on TV Correio, a Record TV affiliate in Paraíba. The theoretical basis includes concepts such as inter-genre intertextuality, highlighting the possibility of combining promos with other genres in order to achieve greater exposure; the very concept of program promos, why they are necessary and how the process of developing them is carried out; the genre of music videos, as a possible genre to add to the promo in question and the notion of transmedia, seeking to establish a proposal for transmedia dissemination, using television and digital social networks. The work also presents the history of the program benefiting from this promo, Cantos & Contos, and how the content of the program is present in the narrative used in the promo, in order to bring the promotion closer to the product being promoted. The methodology used respects the stages of an audiovisual production: pre-production, production and post-production. This work resulted in the production of the promo, with versions of 1:30“ (one minute and thirty seconds), 30” (thirty seconds) and an extended version of 3:01” (three minutes and one second). Editor: Universidade Federal da Paraíba Tipo: TCC Thu, 24 Oct 2024 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/32584 2024-10-24T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/28271 Título: "Uma viagem envolvente ao coração no norte e nordeste : o batidão da Pabllo numa perspectiva da crítica musical nacional e estrangeira". Autor(es): Chaves, Thiago Vinicius Alves de Santana Albuquerque Orientador: Mascarenhas, Alan Mangabeira Abstract: Music criticism seeks to interpret and assess the technical, conceptual, and aesthetic aspects of a musical work. Being a field that is constantly evolving, the professional who engages in music criticism is seen as a "sociocultural detective" who plays an important role in guiding others through analysis and recommendations that can influence the perception and appreciation of music by its consumers. It is this conception that guides this work, which was written in the first person and aims to perceive, through comparative analysis, how the album "Batidão Tropical" by Pabllo Vittar was analyzed from the perspective of specialized music critics both nationally and internationally, and what aesthetic, political, and social issues were highlighted. In order to do this, each step of this extensive history will be contextualized, starting from the global pop culture, passing through Brazilian pop culture, which includes a communicational debate about the mainstream and the gears of the entertainment industry, based on authors such as Frédéric Martel, Thiago Soares, Jeder Janotti, Alan Mangabeira, and others, to the indications of a study on fans and fandoms, who critically engage in consuming the album through the concept of affective war machine, adapting the concept of Deleuze and Guattari, in addition to contextualizing music criticism itself and its importance for radio, TV, and the internet. In parallel to this, this work also highlights the culture of the North and Northeast of Brazil and its external perspective through the sound produced by the singer, something that is rooted in the history of the drag queen artist Pabllo Vittar and materializes in the songs of "Batidão Tropical". At the moment when Pabllo begins to represent the LGBTQIAPN+ community through brazilian rhythms such as brega, tecnobrega, and forró, which are predominantly found in the outskirts of these major and important regions of Brazil, we analyze how the critical reception of this album with these rhythms unfolded in Brazil and the United States, in the G1 and UOL portals, and in the American magazine PopMatters, finding that foreign criticism of Brazilian products is often carried out by Brazilian communication experts, attempting to translate our culture. Editor: Universidade Federal da Paraíba Tipo: TCC Fri, 09 Jun 2023 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/28271 2023-06-09T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/27614 Título: Da morte ao morrer : uma jornada em áudio pela metamorfose do luto. Autor(es): Lira, Joao Lucena Orientador: Braga, Victor Eduardo Bijos Jardim Gomes Abstract: The audio-essay titled From Death to Dying, produced as a graduation project, aims to explore the subjectivity involved in the grieving process, seeking to understand and contribute to a more mature dialogue about death and dying. The choice was made to use the format of an audio-essay, an innovative and unprecedented approach in graduation projects, due to its distinctive character that provides a deeper level of subjectivity and facilitates an empathetic dialogue between the author and the listener. A total of seven interviews were conducted, with only six of them being included in the final product. Additionally, the audio-essay involved the participation of two actors and four collaborations in terms of scriptwriting, recording, and direction. Editor: Universidade Federal da Paraíba Tipo: TCC Tue, 06 Jun 2023 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/27614 2023-06-06T00:00:00Z