https://repositorio.ufpb.br/jspui/handle/tede/7259 PPGS Sat, 31 Oct 2026 18:44:28 GMT 2026-10-31T18:44:28Z https://repositorio.ufpb.br/jspui/handle/123456789/39509 Título: Fechamento de jornais impressos e reconfiguração do jornalismo : precarização e reconversão do trabalho de jornalistas Autor(es): Waclawovsky, Luciana Elisabeth Orientador: Rombaldi, Maurício Abstract: The extinction of newspapers became a reality with the transition from analog to digital life at the turn of the millennium. In just over two decades, profound social transformations succeeded more than two centuries of hegemony of print journalism, driving an accelerated migration to the digital environment. This process is part of a broader context of increasing job insecurity, understood as a movement of readjustment of the capitalist system to the demands of accumulation. This dynamic is intensified by reforms in state regulation of labor, which reduce rights and favor increasingly individualized forms of work subjected to control mechanisms. In this context, this research aims to analyze the transformations in labor relations in Brazilian journalism, strained by the incorporation of information technologies, particularly digital platforms. These changes have impacted the closure of print newspapers and the contraction of the job market for journalists. In particular, it seeks to understand these processes from the experiences of professionals in the field. The study uses an analysis of the social dispositions formed throughout the trajectories of journalists, investigating the shaping of ways of thinking, acting, and judging in the face of the economic difficulties faced by print newspapers and the deregulation of the profession. It thus examines a job market that is increasingly restricted or even non-existent in some regions, conditions that, at times, do not prevent these professionals from remaining in the journalistic field. This research analyzes professional trajectories based on in-depth interviews with journalists who left the print media in Paraíba, aiming to understand their paths after the closure of commercial newspapers. It also examines the profession from the perspective of journalists whose trajectories led them down paths distant from their original contexts. From this, it examines the absorption of these workers into the media itself or whether there was a need for professional retraining, evaluating the objective and subjective conditions of adaptation. It also questions the reasons for choosing this profession, marked by low pay, exhausting work hours, and a scarcity of opportunities. To this end, eight professionals were interviewed: five from Paraíba and three from other states.; RESUMEN La extinción de los periódicos se hizo realidad con la transición de la vida analógica a la digital a principios del milenio. En poco más de dos décadas, profundas transformaciones sociales sucedieron a más de dos siglos de hegemonía del periodismo impreso, impulsando una migración acelerada al entorno digital. Este proceso se enmarca en un contexto más amplio de creciente precariedad laboral, entendida como un movimiento de reajuste del sistema capitalista a las exigencias de la acumulación. Esta dinámica se ve intensificada por las reformas en la regulación estatal del trabajo, que reducen derechos y favorecen formas de trabajo cada vez más individualizadas y sujetas a mecanismos de control. En este contexto, esta investigación busca analizar las transformaciones en las relaciones laborales en el periodismo brasileño, afectadas por la incorporación de las tecnologías de la información, en particular las plataformas digitales. Estos cambios han impactado el cierre de periódicos impresos y la contracción del mercado laboral periodístico. En particular, busca comprender estos procesos a partir de las experiencias de los profesionales del sector. El estudio utiliza un análisis de las disposiciones sociales formadas a lo largo de las trayectorias periodísticas, investigando la configuración de las formas de pensar, actuar y juzgar ante las dificultades económicas que enfrentan los periódicos impresos y la desregulación de la profesión. De este modo, examina un mercado laboral cada vez más restringido o incluso inexistente en algunas regiones, condiciones que, en ocasiones, no impiden que estos profesionales permanezcan en el campo periodístico. Esta investigación analiza las trayectorias profesionales a partir de entrevistas en profundidad con periodistas que dejaron la prensa escrita en Paraíba, con el objetivo de comprender sus trayectorias tras el cierre de los periódicos comerciales. También examina la profesión desde la perspectiva de periodistas cuyas trayectorias los llevaron por caminos alejados de sus contextos originales. A partir de esto, examina la integración de estos trabajadores en los propios medios o si existió la necesidad de una reconversión profesional, evaluando las condiciones objetivas y subjetivas de adaptación. También cuestiona las razones para elegir esta profesión, caracterizada por bajos salarios, jornadas laborales agotadoras y escasez de oportunidades. Para ello, se entrevistó a ocho profesionales: cinco de Paraíba y tres de otros estados. Editor: Universidade Federal da Paraíba Tipo: Tese Thu, 26 Feb 2026 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/39509 2026-02-26T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/39508 Título: "Não me altere o samba tanto assim" : a criação artística de paulinho da viola como crônica social Autor(es): Souto, Allyson Daniel Silveira Palhano Orientador: Matos, Teresa Cristina Furtado Abstract: This work seeks to sociologically analyze the artistic creation of Paulinho da Viola as a social chronicle of its context, Brazilian society, its social and political circumstances from 1968 to 1979, the time frame of the research. The choice to analyze Paulinho da Viola's artistic creation as a social chronicle of its context was made possible by the interest in investigating two of the main objectives that guide this work: Samba as a form of recording the universe of samba and Paulinho da Viola's artistic creation as a representation and creation based on the dense social context of the years 1968-1979, selected for the research. To this end, two categories of analysis were worked on throughout the research: Samba as a chronicle of samba and Paulinho da Viola's artistic creation as a chronicle of the social and political context. The methodology used in this research was documentary and content analysis of records, books, articles, newspapers, magazines and audiovisual content. As a samba player and composer, Paulinho da Viola presents in songs and records his perspective on the way of doing samba, the tradition in which the samba player is inserted, the composers, spaces for maintaining this cultural expression, as well as the possibility of composing in his samba a form of reflection on certain social circumstances, which affect peripheral communities. Problems arising from Brazilian social inequality and structural racism are portrayed in songs by the composer and samba partners he recorded, such as the composers from Portela, a samba school in Madureira, in the North Zone of Rio de Janeiro, where Paulinho da Viola is bulwark, godfather, producer and member of his Old Guard. Editor: Universidade Federal da Paraíba Tipo: Dissertação Tue, 25 Feb 2025 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/39508 2025-02-25T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/39330 Título: Influenciadores digitais e reprodução simbólica da precarização do trabalho: fabricação de trabalhadores e legitimação da insegurança na contemporaneidade Autor(es): Estrêla, Iolivalda Lima Orientador: Rombaldi, Maurício Abstract: This research analyzes the practices of digital work influencers from a perspective that inextricably links the material and symbolic dimensions of contemporary work. The central objective is to examine them as agents of symbolic reproduction of precarious work, as well as to analyze the ways in which they themselves experience precarious forms of labor insertion. To this end, it starts from the hypothesis that these influencers occupy a unique position in capitalist dynamics, since they disseminate values and norms that reinforce the legitimacy of capitalism while simultaneously experiencing conditions of absence of state protection in the field of work. They produce narratives oriented towards adjusting workers' perceptions and behaviors to the flexible demands of the neoliberal market, contributing to the legitimization of the structural instability of work. The analysis thus focuses on the ways in which dispositions incorporated throughout their trajectories, often marked by corporate experiences, are reconfigured in the digital environment, where the value of work comes to depend on visibility and performance. The methodology combines netnography applied to Instagram and LinkedIn profiles, critical analysis of the metrics that structure algorithmic hierarchies, and ten in-depth interviews aimed at understanding socialization processes, with an emphasis on occupational trajectories, capital reconversions, and modes of work subjectivation. The results indicate that these influencers constitute a heterogeneous group, although traversed by similar characteristics, such as high educational capital, previous professional experience in executive positions, mastery of management codes, and a strong inclination towards entrepreneurship. It is observed that the experience of social insecurity at work is made possible by income accumulated at earlier stages of their trajectories; however, these agents disseminate discourses that attribute to the individual the exclusive responsibility for their survival in the market. In this context, the figure of the hybrid worker is consolidated, capable of articulating multiple paid activities, such as influencer, consultant, mentor, and speaker, embodying the multifaceted demands of the digital economy. Finally, the thesis proposes a reflection on how these influencers should be understood, that is, as workers fully integrated into the contemporary ideal of success or as subjects embedded in new forms of precariousness disguised as autonomy and prestige. The answer, necessarily provisional, reaffirms the relevance of the study and points to the need to further explore, in future research, the contradictions that structure work in the age of digital influence.; RESUMEN. Esta investigación analiza las prácticas de los influencers digitales del trabajo desde una perspectiva que vincula inextricablemente las dimensiones materiales y simbólicas del trabajo contemporáneo. El objetivo central es examinarlos como agentes de reproducción simbólica de la precarización laboral, así como analizar las formas en que ellos mismos experimentan formas precarias de inserción laboral. Para ello, se parte de la hipótesis de que estos influencers ocupan una posición única en la dinámica capitalista, ya que difunden valores y normas que refuerzan la legitimidad del capitalismo, a la vez que experimentan condiciones de ausencia de protección estatal en el ámbito laboral. Producen narrativas orientadas a ajustar las percepciones y comportamientos de los trabajadores a las demandas flexibles del mercado neoliberal, contribuyendo a la legitimación de la inestabilidad estructural del trabajo. El análisis se centra, por tanto, en cómo las disposiciones incorporadas a lo largo de sus trayectorias, a menudo marcadas por experiencias corporativas, se reconfiguran en el entorno digital, donde el valor del trabajo pasa a depender de la visibilidad y el rendimiento. La metodología combina la netnografía aplicada a perfiles de Instagram y LinkedIn, el análisis crítico de las métricas que estructuran las jerarquías algorítmicas y diez entrevistas en profundidad destinadas a comprender los procesos de socialización, con énfasis en las trayectorias ocupacionales, las reconversiones de capital y los modos de subjetivación del trabajo. Los resultados indican que estos influenciadores constituyen un grupo heterogéneo, aunque atravesado por características similares, como un alto capital educativo, experiencia profesional previa en puestos ejecutivos, dominio de los códigos de gestión y una fuerte inclinación hacia el emprendimiento. Se observa que la experiencia de la inseguridad social en el trabajo es posible gracias a los ingresos acumulados en etapas anteriores de sus trayectorias; sin embargo, estos agentes difunden discursos que atribuyen al individuo la responsabilidad exclusiva de su supervivencia en el mercado. En este contexto, se consolida la figura del trabajador híbrido, capaz de articular múltiples actividades remuneradas, como influenciador, consultor, mentor y conferenciante, encarnando las demandas multifacéticas de la economía digital. Finalmente, la tesis propone una reflexión sobre cómo comprender a estos influenciadores, es decir, como trabajadores plenamente integrados en el ideal contemporáneo de éxito o como sujetos insertos en nuevas formas de precariedad disfrazadas de autonomía y prestigio. La respuesta, necesariamente provisional, reafirma la relevancia del estudio y señala la necesidad de profundizar, en futuras investigaciones, en las contradicciones que estructuran el trabajo en la era de la influencia digital. Editor: Universidade Federal da Paraíba Tipo: Tese Mon, 23 Feb 2026 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/39330 2026-02-23T00:00:00Z https://repositorio.ufpb.br/jspui/handle/123456789/39251 Título: As oito flores do alto do céu no jardim da desinstitucionalização: um estudo sobre o serviço residencial terapêutico23 Autor(es): Lima, Thalyta de Paula Pereira Orientador: Perrusi, Artur Fragoso de Albuquerque Abstract: This work analyses the Therapeutic Residential Service from the city of João Pessoa as a model of habitation inspired by the Psychiatric Reform. The benefiters of TRS are eight women, ex-chronic patients from The Psychiatric Hospital Juliano Moreira. These patients have lost their family bonds and were transferred to this service. The purpose of the program is to promote gradating social inclusion of these patients. The objective of our work was to observe the daily routine of these women in the Therapeutic Residence and study this model of household analyzing the process of adaptation and social reinclusion of the people living there. We used ethnography for qualitative research as an appropriated resource to apprehend the expressions of daily life in its most complex dimension since this kind of research does not prime for principles, laws or generalizations, but centers its approach in what is specific and peculiar. Data was collected through semi – structured interviews, direct observation and analysis of documents. These techniques did not follow a linear pattern of utilization. They were interconnected and used according to the immediate necessities of the ingress in the field of the research. Data analysis demonstrated that the reduction of accommodation in hospitals and the investments in services that avoid hospitalization do not guarantee the end of social isolation of mentally disturbed patients. We observed that although the household promotes a new space of hosting for these people, it does not promote or stimulates social reinclusion and the development of autonomy of the people living there. Actually, there is a lack of projects concerning social reinclusion and independence of these people that avoid this pattern of household to not become a mere place for depositing excluded human beings.; RESUMÉ Ce travail analyse le Service Thérapeutique Résidentiel de la ville de João Pessoa, comme un modèle de logement, inspiré par la Réforme Psychiatrique. Les utilisateurs du STR sont huit femmes, ex-patients chroniques de l'hôpital psychiatrique de Juliano Moreira, qui ont perdu les liens familiaux et ont été transférées à ce service, dont le but de promouvoir une intégration progressive de ses habitants. L'objectif de notre étude était d'observer la vie quotidienne de ces femmes dans le STR et analyser le processus d'adaptation et de réinsertion sociale de ses ex- patients. Nous avons décidé d'utiliser l'ethnographie, qui est une recherche qualitative appropriée pour appréhender les expressions de la vie quotidienne dans sa complexité, car ce type de recherche ne priorise pas des principes, des lois et des généralisations, et si se concentre sur ce qui est spécifique et particulière. La collecte des données a eu lieu au moyen d'entrevues semi-structurées, l'observation directe et l'analyse de documents. Ces techniques ne suivent pas un modèle linéaire d'utilisation, étant liées et utilisées en conformité avec les besoins immédiats des incursions dans le domaine. L'analyse des données a montré que la réduction des lits dans les hôpitaux psychiatriques et les investissements dans les services, pour éviter la délocalisation, ne garantit pas la fin de l'isolement social des malades mentaux. Nous notons que, bien que la maison a comme fonction créer un nouvel environnement qui soit accueillant pour ces personnes, elle ne fournit pas la réinsertion sociale et l'autonomisation de ses résidents. En fait, il manque des projets qui permettent la réinsertion sociale et l'indépendance de leurs résidents pour que la maison ne devienne pas un autre dépôt de patients chroniques. Editor: Universidade Federal da Paraíba Tipo: Tese Thu, 15 Dec 2011 00:00:00 GMT https://repositorio.ufpb.br/jspui/handle/123456789/39251 2011-12-15T00:00:00Z