Um processo criativo sobre a fragmentação da influência da cultura japonesa

Abstract

This dissertation aims to analyze through a process of creation realized by the own author, the relations between imaginary and memory under the influences of Japanese culture in cultural formation of fragments in contemporaneity. We intend to understand how the imaginary and memory were built to what we have nowadays, through a discussion about the constituent processes of an exported culture by Japan. As so, that culture built in Occident what was called japanism, as a first enchantment for Japanese culture, and the neo-japanism as a second enchantment and his part in the actual context. Therefore, it will show, through a personal point of view the influence of Japanese culture in relations and artistic productions, as well as its connection with everyday life through transcultural processes in the formation of a globalized culture. Using cartographic method associated with creation process, from investigation, historical analysis, artistic, cultural and social, based on a material and immaterial collection focused on a visual poetic construction.