Balas de estalos: dialogismo e carnavalização na crônica de Machado de Assis.

Abstract

This is a chronic is consolidated in the literary through its initial in serials. Although every genre, of course, portrays the everyday, it is understood that there are no formulas or methods of analysis that can limit and describe, in synthesis, the senses produced by their authors. Just as carnival represents a break with the official world, a romantic exchange by canonical genres and portray a daily reality, gaining prestige by the thematic identification of its readership. The present work aims to understand the controversy about the prohibition of the Entrudo, in the chronicle of January 30, 1885 by Machado de Assis, who signs with the pseudonym Lélio. The chronicle was published in a journal of dissemination of published texts, published in a section of pamphlets, published in a journal of dissemination, published in 1885 and published in 1885. Theoretical-methodological basis is the Dialogical Theory of Language. The theoretical assumptions constitute the literary revision of the works of Bakhtin (2008, 2014, 2015, 2017), Bakhtin / Volochínov (1981), Bosi (1989), Coutinho (1964,1986), among others. In this way, it is understood that such a proposal contributes to Machado's chronicle as a discursive action. Discursive genres arise wrapped in a sphere of tradition and cultural elements, thus a Machadian chronicle frames a reality and portrays it literarily. This analysis, carried out in the years of Bakhtin (2017), is a language for dialogue and interaction, led to an analysis of the importance of Carnival for the social identification of the Brazilian people.