Amor e erotismo nas canções de Chico Buarque de Hollanda.

Abstract

This work aims to address the erotic and loving question in the songs of Chico Buarque de Hollanda, under the theoretical gaze of Francesco Alberoni (1986), Octavio Paz (1994) and Betty Milan (1983), we will observe that eroticism is developed in songs buarqueanas in a simple and subtle way, making it deconstruct the main thought in which eroticism is associated with pornography. For Paz (1994) eroticism is characterized as sex in action, a playful act, and throughout this work we will observe that in each song, love and eroticism are put differently, emphasizing the intertextual quality of the Rio composer, of exposing the libido of each lyrical self in a unique way. We will realize in analyzing the songs, that Chico Buarque accurately translates and investigates women's desires, has an impressive capacity to put oneself in their place and to feel totally and egalitarian. Based on this context, we will analyze five songs from the Buarquian songbook, from the point of view of female and male lyrics, whose lyrics are inserted in the theme of love and erotism: Valsinha (1970), Tatuagem (1972), O meu Amor (1977) Todo o sentimento (1987), Aquela mulher (1985).