Afrofuturismo e direção de arte no filme Pantera Negra.

Abstract

Responsible for bringing to the cinemas a legion of people, the film Black Panther has as protagonist T’Challa, who after the death of his father becomes king and superhero. For believing that the values transmitted by cinema to its viewers are important and observing a convection in Hollywood about the representation of Africa, the present work has as main objective to analyze the art direction of the film Black Panther and discuss what the implications of this language are in the meaning to your audience. In order to contribute to this study, a research is carried out on cinema as a social representation and generator of meanings based on cinematographic language techniques. The film Black Panther proved to be a major exception among a range of films that bring an Africa passive in the face of its problems and not very proud of its own culture.