Harmonia aplicada ao violão: análise da obra "Principios armónicos de los sonidos atractivos y atraídos (aplicados a la guitarra)" de Guido Santórsola.

Abstract

This course completion work presents a documental analysis carried out in the work “Principios harmônicos de los sonidos atractivos y atraídos (aplicados a la guitarra), by the Italian composer, based in Brazil, Guido Santórsola (1904 - 1994). The copy in which the work was developed was sent to me by guitarist and professor Orlando Fraga, and it is a dense manuscript and never published by any editorial means, so that few copies of the manuscript have survived time. The method was written by Santórsola in 1970 and 1971 in the city of Montevideo, Uruguay, and was presented to guitarist and teacher Isaias Sávio (1900 – 1977) to work with his regular students and in seminars aimed at the guitarist audience. As it is a qualitative research, my work methodology was based solely on research and/or document analysis. Where, in addition to the Santórsola method, I complemented my research with a broad bibliographic survey in books, articles, event proceedings, dissertations, theses and other matters directly linked to the work and/or author in question. For the specific analysis of the method, I adopted the process of document organization and analysis based on five categories and/or analytical dimensions suggested by Cellard (2008) and Penna (2015), which are: 1st the context, 2nd the author, 3rd the authenticity and the reliability of the text, 4th the nature of the text and 5th the key concepts and the internal logic of the text.