Projeção mapeada em raves: um estudo teórico e prático sobre vídeo mapping em festivais de música eletrônica psytrance

Abstract

This work consists of the development of a monographic research that has as its theme the field of Mapped Projections in Psytrance Electronic Music Festivals, the Raves. Explaining its characteristics and creative processes, the work aims to facilitate the acquisition of information on the subject, and also its dissemination as art, given the scarcity of specialized academic material. For theoretical basis, we will analyze the subject through the prism of Merleau Ponty's Phenomenology of Perception. The content addresses several factors inherent to the field of projection mapped in the Psytrance scene, with regard to its technical, physical and theoretical concepts. In sequence, the work synthesizes knowledge and techniques that involve a mapped projection of the stage in a Rave (Stage Mapping), explaining the process through explanations and images. The work also presents a demonstration of this synthesis to teachers, through an experiment: a scale model of a stage in reduced scale, identical to a stage of a Rave. Consequently, it aims to serve as a channel of first contact with the theme, for people who are interested in the area, in order to understand the creative process and strategies, to feed the development of artistic projects.