Mal-estar na música popular brasileira: violência e subjetivação

Abstract

As every culturally determined gender, the music suffers the time impositions, that reflect social's body ideological transformations, adapting to the new subjective requests. Nowadays, we confront ourselves with lyrics which shelter excess signs, of violence, particular of an era that doesn't bother neglecting the law in favor of perverse and mortal ''jouissance''. Since the first decades, Brazilian popular music already emphasized, in their lyrics, but in the camouflaged form, themes about sexuality. In time course, these euphemisms were converting in surpluages and rupture, showing a perverse cult by the breakup of the other, giving place to the pornography, violence and to a narcissism connected to the death drives. Starting from these reflections, we will investigate, in Brazilian Popular Music's texts, marks of language about a contemporary discontents that feeds an annihilating culture. As a theoretical support, we will resort to Sigmund Freud, Elizabeth Roudinesco, Dominique Maingueneau, Zygmunt Bauman's studies and other important theoretics.