O canto do retardatário

Abstract

Ernani Satyro’s O Canto do Retardatário is a poetic work that stands out in the literature of Paraíba. Satyro, born in Patos, in the interior of Paraíba, on September 11, 1911, was a Brazilian poet, columnist, novelist, essayist and politician. His passion for literature is evident in his works, which include poems, chronicles, novels and essays. In O Canto do Retardatário, Satyro explores the essence of poetry and the act of writing poetry. He asks: “Where are the words?”, suggesting a constant search for meaning and expression. The collection’s titular poem, “O Canto do Retardatário”, reflects on the nature of song, poem and poet. He states that “Singing is not about desiring glory, it is simply singing. We are born to live, Singing breaks out to vibrate. The rest is up to the listener, The poet has nothing to do with it.” This reflection reveals Satyro’s view of poetry as a pure and authentic expression of life, independent of recognition or glory. Satyro’s work is marked by a profound sensitivity and a keen understanding of the human condition. His poems are at once personal and universal, exploring themes such as love, life, death, and the search for meaning. In short, “O Canto do Retardatário” is a work that celebrates poetry in its purest and most authentic form. Ernani Satyro’s contribution to Paraíba literature is undeniable, and his work continues to inspire and move readers to this day. This analysis is part of the Paraíba Literária collection, an initiative of the Central Library of the Federal University of Paraíba to promote and preserve the state’s rich literary tradition.