Ofício e performance do músico no desfile cívico de Sete de Setembro em Rio Tinto: aproximações antropológicas

Abstract

Dedicated to Marching Bands, Fanfares and Brass Bands of the County of Rio Tinto – PB, the present work starts of the interlocution with a musician of this musical scene of the town, in an intent who demanded an interdisciplinary theoretical framework: starting out by images, across the Filmic Anthropology of Claudine de France; in followed, with the Music and Art, presenting other implications relative to the society and cultures knowledge, seated on performance studies by Richard Schechner; and lastly, grounded on studies memories, further including the studies of Life History and Etnobiography. The objectives resided, in short, in expatiate about the importance of this musical scene in the context of the civic parade, about what these bands means and transmit from and to society, the relationships that constitute, the spaces that used itself and the changes that operate itself and advertise for them. Equally, the metodology crisscrossed aspects of others, among which stand out the Participant Observation, the Deferred Observation, the exploratory methodology in Visual Anthropology and the Oral History. With results since getting audiovisual materials and photographs of musical performances, highlighting itself the civic parades of First and Seventh of September of the town, well as audio transcripts of two audio-video elicitation interviews, returned to the interlocutor, and finally, a final written work and audiovisual, oriented to a knowledge and analysis of this universe for me presented in the more accurate and ethical way possible.