A TRILHA SONORA COMO AGENTE REPRESENTATIVO: A ANÁLISE INVESTIGATIVA DO FILME PERFUME: A HISTÓRIA DE UM ASSASSINO

Abstract

The objective of this study is to analyze the soundtrack for the film Perfume: The Story of an Assassin, initially investigating the construction of sound production, musical composition, until arriving at the evaluation of the sound design applied in the work. The intention is to detect, in the soundtrack, elements representative of cinematographic aspects such as narrative, characters, aesthetics, culture and several other points relevant to the technical cinematographic concept. The analysis occurs in three ways, the first was through bibliographic research and content in digital media, raising the main concepts and theories on the topics that involve the research. The second way is the analysis of specialists who were interviewed to evidence their view on the work and to propose a technical view of the means used. The third way will be a technical analysis by the researcher of the study, analyzing the film completely, investigating the application of theoretical concepts in practice and identifying how much the soundtrack represents in relation to the existing elements in the history of the feature film. The use of classical instruments in the soundtrack for a suspense film and a dynamic sound design, conveys messages and generates a unique immersion effect for the genre of period suspense films. We can thus reaffirm all the recognition and awards that this work won in the festivals that was indicated, mainly as the best sound edition.