Compositor performer: processos criativos como performance e a performance como processo criativo na música experimental de Recife

Abstract

This research aims to point out certain relationships between creative and performative processes, through a set of pieces. Some considerations about the performance of composers in 19th century Europe and concepts related to performance, interpretation and musical work are presented. Themes about experimental music linked to the North American context, to Brazilian experimental music and more specifically to the metropolitan experimental music of Recife, are approached through field research and the author's relations with the context of experimental music in Brazil and, especially in Recife, are presented, as well as some considerations about the works of the artistic project of this master's degree.