A liberdade em Kant: liberdade enquanto uma possibilidade

Abstract

From a clipping about music and poetry, Brazilian Popular Music and Songs of Protest that arose during the period of the Brazilian military dictatorship, this work makes a reading of the songs "Acorda Amor", "Despite of You", "Angelica", "Chalice "," Sabiá "and" Vai Passar ", by the singer, composer, poet and writer Chico Buarque de Holanda, under the propositional vision of Literature of Witness with the objective of fomenting the discussion about the social function of the poet and the articulation between literature And social context. . It is important to point out that the analysis made in this light is just another possible look at the author's work. This work does not pretend to deny the possibility of interpretation of the poems-songs here worked, without the knowledge of certain elements of the communicative situation in which they were produced. The execution of this work was done through a descriptive, bibliographical research, with analytical objective. To base this work, the precepts of Adorno, Antônio Candido, Adélia de Menezes, Aristotle, Artur Nestrovski Bakhtin, Marcio Seligmann-silva, Norberto Bobbio, Plato, Rinaldo de Fernandes and Zuenir Ventura