Fantasia e Rondó de Osvaldo Lacerda: considerações interpretativas em cinco gravações

Abstract

In the present study of the paper for brass quintet, Fantasia e Rondo by brazilian composer Osvaldo Lacerda (1927-2011), five recordings were analyzed and compared with the aim of finding recurrences and interpretative differences between the researched groups. The choice of the paper in question was due to its relevance in the original repertoire for the formation of a brass quintet, proof of which is the phonographic record made by five important brazilian brass quintets studied here, as well as an international record of an American group. From the structural and motivic analysis of the paper, and from a critical appreciation of the recordings, we were allowed to point out and verify recurrent characteristics and the interpretative particularities between the recordings. With the aid of specialized software, time, dynamics and articulation data were extracted from the phonographic recordings. These data resulted in graphics that led us to greater clarity regarding the elements analyzed here. Through the result obtained from the research, we can argue about the recurrences and interpretative differences that will help us to subsidize future interpretations of the paper in question.