O dialogismo na canção do sujeito social Cazuza: no entrecruzamento das vozes, a construção do sentido

Abstract

In Bakhtinian constructs of thought, language is essentially presented as a social and dialogical activity. For this matrix the discourses intersect, dialogue and construct meanings, since subjects have a socio-historical place in various social spheres. This thesis deals with the social voices that marked the 80s in the context of democratic freedom, affective and ephemeral relationship and also the embodiment of death, which are materialized in Cazuza’s lyrics. The theoretical contribution focuses on the enunciative theory of language proposed by Bakhtin (1997 - 2008 - 2010) and Circulo (1997) added to the studies of Faraco (2009), Sobral (2009), Fiorin (2006), Flores and Teixeira (2005 ) and Amorim (2004) on the postulates of Bakhtinian enunciative theory in order to investigate the meaning of speech from the intersection of those voices that say in “cazuzianas” compositions. The corpus consists of fifteen songs that are part of his participation in the “Barão Vermelho” group as a singer and composer and his solo career that analyse politics, love and death. From this perspective, we chose a theoretical and methodological research due to the categories of textual analyses and classify it as exploratory, since it involves literature review, interviews and experiences with Cazuza’s musical universe. The reflections of this study conclude that the discourse, always in contact with other, produces a new meaning to the word spoken by the subject ideologically marked.