(Des) construindo nossa movência: uma análise de Tu não te moves de ti, de Hilda Hilst

Abstract

In this study our objective is to analyse the novel Tu não te moves de Ti, by Hilda Hilst, observing the construction and deconstruction of plot, characters and language in order to examine which textual elements invite the reader to have a critical and effective participation in the process. A second intention we have is to verify which processes are being used by Hilst to build a meaningful narrative, in spite of the voluntary plot fragmentations she brings up while writing the novel. Our analysis will go through the three sections separetely presented, intending to identify elements of deconstruction being used as a way of enforcing the reader to leave a passive position. Sensorial and imagetic elements of the narrative are also observed and analysed in its effects. Our theoretical basis was constructed by texts related to the postructuralist moment. So, authors such as DERRIDA (2004), BAUMAN (1998), BARTHES (1977) and ISER (1996) are guidelines for the debate we develop on the relations established between deconstruction, literature and reader. Finally, we intend to verify the specificities of this particular novel, specially the way it presents a play of meanings that proves to be very innovating in terms of writing and reading