De Ariana para Dionísio: (re) criação do mito em júbilo, memória, noviciado da paixão, de Hilda Hist

Abstract

Hilda Hilst (1930-2004) is this work anchor, specially her poetry, to which we direct our critical-interpretative view to the poems entitled Ode descontínua para flauta e oboé. De Ariana para Dionísio is based on Júbilo, memória, noviciado da paixão (2008), considering its dialogues between the epic tradition about Ariadne and Dionysius’ myth. To observe the Dionysian myth (re)creation and its nuances on the hilstian literary production is our main aim, intending to establish a comprehension on poetic recurrences; thus to reflect reverberated echoes expressed by the feminine-lyrical voice present on the ten poems, in which the body and the love are metaphors from the erotic and possibly configure images to the reader, through a plurality of meanings. In this way, there is an articulation with theory approaches by Pound (2003), Eliade (2010), Grimal (2011), Cassirer (2000), among others that establish an intersection between myth and literature. Approaching this tangible proximity, methodologically we suggest the reading of symbolic images throughout “concision” as an analytic category, articulating internal and external meanings on the poems lyrical and verbal plasmation. On this perspective, the inception of extra-literary elements on Hilda Hilst’s poetics configures a language actualization, (re)signifying the Dionysian myth through the feminine voice on our contemporary background.