A autobiografia na criação performativa: nas entrelinhas dos fazeres das artesãs da família.

Abstract

The present work of completion of the course contains autobiographical issues to boost the performance construction, focusing between the lines and between lines, the stories lived by the women of my family, specifically the women artisans. This research aims to present reflections on the relationship between autobiography, performance and feminisms, having as a field of verification, experiments experienced of performative creation during the graduation in Bachelor of Theater at UFPB. The methodology of this investigation is based on the organization of self-ethnographic shares (where personal experience relates to cultural contexts) and theoretical studies of women on the discussion present here. One perceives the importance of artistic training as a creative actress, which has the possibility of bringing to the scene, the affectations, positions and reverberations of her own life. These issues reflect crossings present in society. This field has been promoting important reflections in the ways of making the contemporary scene artistic.