Organização de acervos musicais: um olhar interdisciplinar como apoio na atribuição de autoria em documentos musicográficos manuscritos

Abstract

In face of the identified specific demands along activities of organization of musical archives, it is emerged the motivation to develop this work, whose objective is to align the following areas of knowledge: Paleography, Diplomatics, Documentoscopy, Music and Archival Science in order to identify authorship in non-signed musicographic documents, especially musical scores, by means of interdisciplinarity. It is intended to resolve doubts to reach results in face of the convergent theoretical and technical studies inside the analytic and investigative field of musical writing. For that, it was developed a descriptive research with qualitative approach. The data collection was done by means of literature review about Paleography, Documentoscopy and Diplomatics, Music and Archival Science, guided to the particularities of the structure of musical documents and interview. It was sought to comprehend general aspects of archival analysis in musical manuscripts and, as a result, it was possible to propose an analysis instrument containing questions that enable to indicate authorship in manuscript musicographic documents which do not have identified authorship, whether a composer, a copyist or an arranger, with the finality of helping in document organization of musical archives.