Ambientes expositivos híbridos de artes visuais na perspectiva das ecologias informacionais complexas

Abstract

Information, essentially digital, has become relevant in society as it is disseminated in computer networks and generates scientific demands for the field of Information Science. Systematizing the conception of hybrid visual arts exhibition environments – structured exhibitions incorporating analogue and digital environments – based on the contributions of Information Architecture, proved to be a way to answer the following research question: How to apply complex informational ecologies to model visual arts exhibitions that hybridize analogue and digital. We present as general objective: Investigate the structuring of hybrid exhibition environments of visual arts in the perspective of complex informational ecologies. We defend the thesis that complex informational ecologies can be thought and applied, architecturally, in the context of hybrid exhibition environments of visual arts to provide subsidies that evidence the implicit informational load of the works, extending the reach of the subjects to the information and the artistic object, in an intrinsically subjective process of interaction between the subjects and the works, as well as providing greater access to exhibitions/works of art. The investigation is based on a bibliographical research of a qualitative and interdisciplinary nature, based on an outline using the quadripolar method, with a theoretical contribution from Information Science and Visual Arts. Among the specific objectives are: a) the identification of hybrid exhibition environments of visual arts; b) adapt the Pervasive Information Architecture model proposed by Oliveira (2014) aiming at its application in hybrid exhibition environments of visual arts; c) create a model for hybrid exhibition environments of visual arts as complex informational ecologies. We conclude that a systematization of hybrid visual arts exhibition environments through Information Architecture may allow society to have more effective access to cross-channel experiences in the arts, through a more democratized access. To this end, we present as a proposal an applicable model of Complex Informational Ecology for hybrid exhibition environments of visual arts, aimed at artists and professionals in the planning and realization of exhibitions, providing means so that they can systematize and conceive, respectively, poetics and such environments, considering emerging technological aspects and pervasive and ubiquitous information.