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Abstract

This article deals with the adaptation of literary language and the level of transmission of feelings, such as melancholy, loneliness and passion when transformed into cinematic language. In literary adaptation, processes are applied and selected based on the target audience of the adapted work, which includes a special approach to text and image. In the case of the film The Book of Pleasures (2020), directed and produced by Marcela Lordy, based on the novel An Apprenticeship or The Book of Pleasures (1969), by Clarice Lispector, it seeks to develop on the transformation of words into image, voice, action and other forms of communication that the book does not allow, despite its wealth of details that often also does not appear in the adaptation. Thus, taking as a theoretical basis the works of Linda Hutcheon, Robert Stam and Boris Schnaiderman, this study starts from passion as a basis for comparison between the works.