Baliza como corpo plural : análise do movimento como fator de expansão da expressividade.

Abstract

The present study investigates the corporal plurality of the baton twirler in marching bands, addressing the history of marching bands in Brazil, regulations, and movement analysis as a factor in expanding expressiveness. It uses the studies ofRudofLaban, focused on the Labanian Star, with the main objective of understanding and enhancing the body expressiveness of the baton twirler component. The methodology involved bibliographical review, analysis of regulations, observation of videos of baton twirlers in Paraiba, development of pedagogical tools and the development and implementation of a course called " Baton twirler plural body", with two students from the municipal primary network of João Pessoa. The research emphasizes the importance of expanding the corporal plurality of the baton twirler without losing its martial identity, teaching dance in such a way that the student is a researcher of their own body/dance. ln conclusion, this study contributes to the field of dance and education, expanding the understanding of the role of the baton twirler as an expressive and unique body in the martial context.