Giros da memória : escrevivências de uma mulher negra artista e docente da Dança.

Abstract

This course conclusion work was developed based on the author Conceição Evaristo's propositions about Escrevivência, the writing of the black woman's experience. In this context, this dancing writing unfolds from my experiences as aperipheral black woman from the Northeast of Brazil, artist and dance teacher. Thus, this research crosses the territories of Chã de Bebedouro, Maceió-AL, João Pessoa and the Federal University of Paraíba, sharing learning about the coco Alagoano and curricular components of the Dance Degree course that contributed to an Afro-centered training, in addition to a pedagogical practice at the Civil Society Organization Casa Pequeno Davi. By rescuing memories and experiences transmitted by my ancestry, this work highlights the importance of valuing and preserving cultural traditions and ancestral identities. It contributes to anti-racist and inclusive education, promoting self-knowledge and the appreciation of cultural diversities through Dance Teaching.