Vinicius de Moraes: ressonâncias do trovadorismo na poesia brasileira.

Abstract

This study falls within the field of Medieval Studies, as well as modern and contemporary Brazilian poetry. Its main objective is to analyze the resonances of Troubadour literature in the work of the Brazilian poet and composer Vinicius de Moraes. First, we will discuss Neo-troubadourism, a concept brought to Brazil by the researcher Maleval (2002), and also developed by professor Calado (2000). Next, we will reiterate the main characteristics of Troubadourism, which will be guided mainly by the medievalists Spina (1956) and Dronke (1978), and also by the poet and essayist Paz (1994). Finally, we will analyze the poems A mulher que passa and A anunciação, directly observing the troubadour traces in the poet‟s texts. The analysis of the first poem will have its dialogue focused on the modality cantigas de amor of troubadour lyric. In the second poem, the resonance of cantiga de amigo in Vinicius de Moraes‟ text will be shown.