DA BÁRBARA COMPLACÊNCIA DE THANATOS À FUNESTA GENEALOGIA DAS PETÚNIAS: A FANTÁSTICA ESCAVAÇÃO DO DESEJO NA CONTÍSTICA DE MURILO RUBIÃO

Abstract

Venturulosly undulating, like hegemonic meanings that circumvent the desire, supposed manifestation or intention of a will, end upp distorting the true dialectic of its imprecise ordering. In reality, as na indelible architecture of human existence, desire materializes its itentions on the border between the real and the fantastical, in what is beyond the control of the conscious. Thus admitting the most unusual and imprecise corollaries that fantasy could aim for, we are faced with a fictional aesthetic that representes the breakdown between the possible and the impossible, transgressiong the very limited reality: fantastic literature. In this way, breathtaking by the factual constructions of fantastic aesthetics, existing since the 18th century, as well as, supported by the psychoanalytic postulates of Sigmund Freud (1856-1939), who has a lot say about a paradoxical dialectic of human desire, the presente work will take the vibrant petticoats of the first great name of the brazilian fantastic, the writer Murilo Rubião (1916- 1991). Thus, analyzing two short stories by the author, Bárbara (1947) and Petúnia (1974), we will seek the phantasmatic and fugitive poetry of desire that, raised by the diagrams of the unnameable, can challenge its spectral structure. Therefore, our research was founded mainly on the Works of Freud (1900; 1919; 1920), Rancière (2001), Todorov (1970), Roas (2013) e Schwartz (1981).