Sarapatel: cartografias dançadas de sabor, memória e identidade.

Abstract

This monograph shares a danced cartography by artist-teacher Hugo Felix da Silva about his trajectory between the states of São Paulo and Paraíba in search of a greater understanding of his own identity (Hall, 2020) through his ethnic roots, with the general objective of mapping (Rolnik, 2016), through dance, the relationship of identity belonging between the researcher, his family and sarapatel, traditional family dish. As a theoretical-practical contribution linked to the founding African concept of Ancestry, were used as references Inaicyra Falcão dos Santos (2021), Sandra Petit (2015), Leda Maria Martins (2021), Luís Anastácio (2021), Mestre Jogo de Dentro (Santos, 2020) and Tsumbe Maria Mussundza (2018), as well as discussions on Social Memory based on the thoughts of Ecléa Bosi (2003). In this way, the author develops a creative process in dance based on bodily states (Laranjeira, 2015) relating it to food and perception (Silva, 2023), his affective memories linked to the family and the memories of his mother, grandmother and great-grandmother respectively, corroborating bodily dynamics (Domenici, 2015) that emerge as materializers of these memories and bodily states, resulting in the maturation of the creative process and perform Sarapatel dance.